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The Euro-Crisis and the legal and institutional responses to it have had important constitutional implications on the architecture of the European Union (EU). Going beyond the existing literature, Federico Fabbrini's book takes a broad look and examines how the crisis and its aftermath have changed relations of power in the EU, disaggregating three different dimensions: (1) the vertical relations of power between the member states and the EU institutions, (2) the relations of power between the political branches and the courts, and (3) the horizontal relations of power between the EU member states themselves.

The first part of the book argues that, in the aftermath of the Euro-crisis, power has been shifting along each of these axes in paradoxical ways. In particular, through a comparison of the United States, Fabbrini reveals that the EU is nowadays characterized by a high degree of centralization in budgetary affairs, an unprecedented level of judicialization of economic questions, and a growing imbalance between the member states in the governance of fiscal matters. As the book makes clear, however, each of these dynamics is a cause for concern - as it calls into question important constitutional values for the EU, such as the autonomy of the member states in taking decision about taxing and spending, the preeminence of the political process in settling economic matters, and the balance between state power and state equality. The second part of the book, therefore, devises possible options for future legal and institutional developments in the EU which may revert these paradoxical trends. In particular, Fabbrini considers the ideas of raising a fiscal capacity, restoring the centrality of the EU legislative process, and reforming the EU executive power, and discusses the challenges that accompany any further step towards a deeper Economic and Monetary Union.

• Sales Rank: #2745155 in Books
• Published on: 2016-03-28
• Original language: English
• Number of items: 1
• Dimensions: 6.50" h x .70" w x 9.30" l, .0 pounds
• Binding: Hardcover
• 300 pages

About the Author

Federico Fabbrini, Associate Professor of European & International Law, Faculty of Law, University of Copenhagen

Federico Fabbrini is Associate Professor of European & International Law at iCourts (Center of Excellence on International Courts), Faculty of Law, University of Copenhagen. He holds a PhD in Law from the European University Institute and clerked for Justice Sabino Cassese at the Italian Constitutional Court. He is the author of four edited volumes and two monographs, including Fundamental Rights in Europe: Challenges and Transformations in Comparative Perspective (Oxford University Press, 2014).

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[Z491.Ebook] Ebook Free The Complete Book of Herbs: A Practical Guide to Growing and Using Herbs, by Lesley Bremness

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With more than 340,000 copies sold in hardcover, this essential, full-color resource is now available in paperback. Revealing the enormous potential of herbs, this sourcebook includes information on planting, growing, and harvesting herbs, as well as the main uses of herbs. It also offers an exhaustive identification guide, recipes, ideas for gifts, and much more.

• Sales Rank: #46849 in Books
• Published on: 1994-09-01
• Released on: 1994-09-01
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x .75" w x 7.75" l,
• Binding: Paperback
• 288 pages

Most helpful customer reviews

180 of 181 people found the following review helpful.
The First and Last Book You'll Ever Need on Herbs
By R. Tynan
Look no further, this book will give you everything you ever wanted to know and more about herbs. The only thing else you might want is a more elaborate book on herb garden design...but don't be dismayed the section on herb garden design is very complete and inspiring.
ACTUALLY TELLS YOU HOW TO USE THEM! My wife and I love to use herbs particularly culinary, tea, and medicinal. This was the only book we came across that had detailed and useful information that was easily understood on how to use herbs in practical ways.
The book covers garden design, making herbal decorations, use in the kitchen with many recipes, household uses of herbs, beauty care use of herbs, essential oils, health uses of herbs, cultivation and harvesting of herbs and a very complete index of over 100 herbs. The herbal index is great. It contains full color photographs of the foliage, flowers, seed, dried leaves, and roots as applicable to each herb. A short history is given along with cultivation, harvest information, and uses (including what parts for what use).
It has a nice section on making potpourri. The beauty use section is complete with recipes. The table of essential oils is very complete and useful. The health section describes different general preparation techniques and an A-Z guide of ailments with accompanying herbal remedies. The herb cultivating section is complete and useful.
The title says it all, get this book and you will learn something new about herbs every time you pick it up. We reference it all the time. It is invaluable to any gardening or health library.

81 of 82 people found the following review helpful.
Absolutely EVERYTHING you need from an herb book!
By K. Bourn
You truly could not ask for a more complete reference on growing and using herbs. Lesley Bremness' book, beautifully illustrated throughout with sumptuous color photographs, is the first book I turn to for all my herb-related questions, whether they relate to garden planning, how tall a particular herb will grow, or an herbal remedy for dry skin. She provides extensive, well-organized, easy-to-read information on the cultivation and uses of perhaps 100 herbs, going well beyond the "usual suspects" to include such herbs as Elecampane, Melilot, and Houseleek.
One of the best aspects of the book is its 100+ page "Herbal Index." A full page (sometimes two) is dedicated to each variety, with good-sized color photos depicting the stem, leaf, seed, flower, root, dried flowers, dried leaves, crushed roots, other varieties, etc. A small photo tops of the growing plant tops a sidebar. This approach makes herb identification much easier than the books that rely on the garden glam shots where the herb looks gorgeous but its particulars can be difficult to see. Each herb page begins with a description of any lore historically ascribed to the plan and perhaps the origins of its name. For instance, the Borage description notes that the Old Masters often used the "beautiful pure blue" flowers to paint the Madonna's robe.
The sidebars in the Herbal Index pack an amazing amount of information into a relatively small amount of space: Details about cultivation, including soil and sunlight preferences, harvesting and preservation, and the decorative, culinary, household, cosmetic, and medicinal uses of its various parts. More details on the uses can be found in the "Using Herbs" sections.
Interspersed in the Herbal Index are certain theme sections depicting a handful of herbs grown for flowers or foliage and salad herbs, for instance.
The one drawback to the Herbal Index, as other reviewers have noted, is its arrangement by Latin name, rather than common name. Since the common name appears in good-sized print, flipping through to find what you're looking for isn't burdensome. Resorting to the thorough index at the end is another option.
This drawback is more than made up for by the thorough information in the Herbal Index and the 100 pages of well-illustrated uses for herbs. Here, the ideas go well beyond the usual recipes for meals and potpourri. The Herbal Decorations chapter includes lovely photographs of nosegays annotated with the Victorian language of flowers meanings, herbal garlands, herbal wreaths, and herbal table decorations. The culinary section features recipes for herbs the average person doesn't think to cook with, such as lovage soup and a marigold glaze for ham. The Herbs for the Household chapter discusses natural ways to deter pests using herbs, a marjoram-based furniture wax, horsetail "scouring pads," plus instructions for herbal dyes, herbal papers, scented ink, herbal toys, and a perfumed box. A variety of soaps, facial cleansers, bath additives, facial steams, floral waters and hair rinses appear in the Herbs for Beauty chapter. The Herbs for Health organizes medicinal uses of herbs alphabetically by ailment.
The book begins with a section on herb garden design. Among the themes illustrated are plans for a moonlight garden, a delightful circular children's garden, a Chinese garden, and an Egyptian-style paradise garden. Bremness also provides plans for gardens ranging in size from containers on a patio to a small corner of a yard to a large all-purpose garden (which seems to truly have a bit of everything). The planning section is the one place in the book where Bremness relies on some finely detailed color pencil drawings rather than photographs, although she still mixes in a delectable array of inspiring color photos.
"The Complete Book of Herbs" is a resource that herb gardeners, whether novice or experienced, will turn to again and again. I continue to find it as useful today as when I started my first garden some seven years ago. Treat yourself to the hardback edition if you can find it and afford it. It's well worth the investment.

56 of 58 people found the following review helpful.
Terrific reference material
By Enrique Torres
Growing one's herbs is satisfying but using them completes the cycle. If you've ever wondered what to do with all the herbs you've managed to put in your garden over the years this book can help you. If you are just starting out with herbs this book can get you going properly. Not only does it have recipes but it has some ideas that I never could have imagined let alone used. The bulk of the book is dedicated to the herbal index which is extremely helpful. Each illustrated herb is broken down and expalined simply as to it's use, from root to leaves. The only problem I found with this section is that it is organized by their botanical names, which unless you're so inclined is difficult to find quickly. This is a minor problem that is remedied by the oversized common name, which of course is not alphabetized but more recognizable. A page is dedicated to over 100 of the most common herbs used. It tells you how to cultivate the individual herb and it's uses, which includes the medicinal use. Even if I don't use all the herbs or have them growing in my garden it is fascinating to know the historical and contemporary use of herbs. This book is a constant learning experience that can be read over and over. A perfect garden companion for that break under a tree. The knowledge can prove to be invaluable. Even such common herbs as Thyme can present posssibly new insights into it's benefits. Have trouble sleeping? The leaves of Thyme can help insomnia as well as stimulate the production of white corpusules to resist infection amongst it's many other attributes. There is much more information than I need here but there is something for everyone, from herbal dyes, to baths and massages and to the ever popular potpourri. This is, as the title suggests, the complete book on herbs. A great book for the kichen or to help you plan your herb garden, this book has as many uses as the author presents uses for the herbs.

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A teenage girl is held captive and brutally tortured by neighborhood children. Based on a true story, this shocking novel reveals the depravity of which we are all capable.

This novel contains graphic content and is recommended for regular readers of horror novels.

• Sales Rank: #50187 in Books
• Published on: 2015-09-29
• Released on: 2015-09-29
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.00" w x 5.50" l, .0 pounds
• Binding: Paperback
• 320 pages

Review
"The Girl Next Door is alive...it does not just promise terror but actually delivers it.. It's a page-turner." ---Stephen King

From the Publisher
This hardcover edition of The Girl Next Door includes the 3,000 word Introduction by Stephen King.

About the Author
Jack Ketchum’s debut novel, Off Season (1981) ― an updating of the Sawney Beane story ― prompted The Village Voice to publicly scold its publisher for publishing violent pornography. Since then, he has published 12 additional novels and several short story collections. He has won numerous Bram Stoker Awards, including Best Collection 2003 (Peaceable Kingdom), Best Long Fiction 2003 (Closing Time), Best Short Fiction 2000 (Gone), and Best Short Fiction 1994 (The Box). Four of his books were recently filmed as movies: The Lost (2001), The Girl Next Door (2005), Red (2008) and Offspring (2009). Ketchum is one of the most exciting and well-respected horror authors on the market today.

Most helpful customer reviews

6 of 6 people found the following review helpful.
I would caution readers that this is not a book that you will feel good about reading
By H. L. Kern
While this book deals with many disturbing subject matters (including child abuse, child sexual abuse, and voyeurism, just to name a few), I felt that it was worth the read. I would caution readers that this is not a book that you will feel good about reading. It doesn't have a happy ending, or even a particularly just ending. However, I felt that Jack Ketchum did an excellent job writing this book. You almost feel like you're part of the problem, taking a backseat in observing the abuse taking place. I realize this sounds awful, and I don't think this book is for everyone. However, as someone who works with the victims of child abuse on a daily basis, I feel that this book is a necessary and useful depiction of how easily people can become abusers.

5 of 5 people found the following review helpful.
Excellently Written but too disturbing for me.
By Kabba Ranks
I couldn't finish it. I was looking for more of a classic horror scary book. This book wasn't scary in the traditional sense, it was just very disturbing in the whole "humans are the real monsters" sense. I got about half way through it before I had to stop. It reminded me of "A child called it" honestly and that book was disturbing too. Ruth's descent into madness was interesting but I couldn't stomach the vile and evil thing she did and allowed the kids to do to Meg. For what appears to be no reason (granted the reasoning may become apparent in later chapters). It saddens me that this was based on a true story and I'm sure things like this or worse have happened to people but I can't stomach it. 3.5 stars as it was excellently written just too intense/disturbing for me.

2 of 2 people found the following review helpful.
Interesting and disturbing read.
By Kayla H.
I'm not really sure what I can say that others haven't already said. This book is a great [yet horrifying] take on a famous murder. The mob mentality aspect of this crime has haunted and fascinated me for years and since I already loved Jack Ketchum's work, I had to pick up this book as well.

I personally love Ketchum's writing. I'm not an authority on writing, I'm a terrible writer myself, but I think he's very talented and he obviously cares about writing coherently and descriptively.

I rated it 4 stars because it's not completely accurate to the true story it tells. It embellishes and changes some events, and if I recall correctly, even adds a couple that didn't occur in life. That said, I realize it's not meant to be an autobiography or anything, but I feel that the crime was terrible enough without exaggerating it to be even more unthinkable. It somehow cheapens or trivializes the events by showing how much worse they could have been.

This book is not for the faint of heart. Really, none of Ketchum's work is, but it's worth repeating. You will not be able to finish this book if graphic violence disturbs you.

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

• Published on: 2015-11-15
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .88" w x 6.14" l, 1.62 pounds
• Binding: Hardcover
• 402 pages

About the Author
Meredith was a major British novelist and poet.

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6 of 6 people found the following review helpful.
Golden sands & marble minarets under a rose-tinted sky
By OwlSong
Here's a truly charming 19th Century fantasy from the acclaimed Victorian novelist & poet George Meredith, written in his youth. In what was obviously a labor of love, Meredith pours his considerable childhood affection for the Arabian Nights into this tale of a humble but heroic Persian barber, Shibli Bagarag, who finds himself charged with the quest of shaving the impressive beard of the powerful clothier Shagpat ... but let Meredith's own words introduce the story:

"Now the story of Shibli Bagarag, and of the ball he followed, and of the subterranean kingdom he came to, and of the enchanted palace he entered, and of the sleeping king he shaved, and of the two princesses he released, and of the Afrite held in subjection by the arts of one and bottled by her, is it not known as 'twere written on the finger-nails of men and traced in their corner robes?"

With the aid of the enchantress Noorna, Shibli Bagarag sets out on his journey, all related in the faux-Orientalist prose of the above excerpt. Those looking for even a tenuous relationship to the reality of the Middle East will look in vain; this is an Arabia of Western fancy, an Antipodes of the Western psyche. Clearly this won't appeal to everyone, so be warned. But when taken on its own terms, it's no less enjoyable & convincing than any faux-Medieval fantasy of today. And frankly, it's a lot more fun!

Returned to print by the legendary Ballantine Adult Fantasy Series some 40 years ago, this particular edition features the typically lush & vibrant cover art of those volumes, in this case by Ray Cruz, along with a short & enthusiastic introduction by editor Lin Carter. It's a perfect example of the possibilities of the heroic (or mock-heroic) fantasy, before the genre became so bogged down in overly-detailed literalism & poor mimicry of Tolkien, many times removed from the original source. If you can find a copy, you may be in for a delightful surprise -- recommended!

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Definitely worth a read.

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• Sales Rank: #6811 in Books
• Published on: 2015-01-01
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 9.00" w x .50" l, .0 pounds
• Binding: Paperback
• 320 pages

About the Author
Stephen Pentak received his BA from Union College in New York, and his MFA from Tyler School of Art at Temple University. He is Professor Emeritus of Art, and a past Associate Dean of the College of the Arts at Ohio State University. He has been the recipient of four Ohio Arts Council Fellowships and he has been a visiting resident artist at Delfina Studios in London, and Glasgow School of Art. Pentak's recent solo exhibitions include shows at Kathryn Markel Fine Arts in New York and Susan Street in San Diego. He is co-author of COLOR BASICS as well as DESIGN BASICS. www.stephenpentak.com.

David A. Lauer is Emeritus Professor of Art at the College of Alameda.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Not worth 150 dollars. Classic markup due to a ...
By Sean
Not worth 150 dollars. Classic markup due to a niche market.

2 of 3 people found the following review helpful.
Five Stars
By Patrick J.
Clear, relevant, lots of additional digital on-line content.

0 of 0 people found the following review helpful.
Five Stars
By mary prior
my daughter has to have this for a class at BYU. So much cheaper online.

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[O726.Ebook] Get Free Ebook Reverse Anthropology: Indigenous Analysis of Social and Environmental Relations in New Guinea, by Stuart Kirsch

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While ethnography ordinarily privileges anthropological interpretations, this book attempts the reciprocal process of describing indigenous modes of analysis. Drawing on long-term ethnographic research with the Yonggom people of New Guinea, the author examines how indigenous analysis organizes local knowledge and provides a framework for interpreting events, from first contact and colonial rule to contemporary interactions with a multinational mining company and the Indonesian state.

This book highlights Yonggom participation in two political movements: an international campaign against the Ok Tedi mine, which is responsible for extensive deforestation and environmental problems, and the opposition to Indonesian control over West Papua, including Yonggom experiences as political refugees in Papua New Guinea. The author challenges a prevailing homogenization in current representations of indigenous peoples, showing how Yonggom modes of analysis specifically have shaped these political movements.

• Sales Rank: #994685 in Books
• Brand: Brand: Stanford University Press
• Published on: 2006-08-03
• Released on: 2006-08-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .90" w x 6.00" l, .88 pounds
• Binding: Paperback
• 296 pages

Features

• Used Book in Good Condition

Review
"Kirsch deserves recognition for this refreshing and intellectually stimulating monograph . . . That this work combines such an emancipatory potential for anthropology with descriptive, theoretically compelling, and well-written ethnography is a testament to Kirsch's scholarship and activism."—Anthropos
"Kirsch's ethnography is compelling on several levels. It is an excellent example of using indigenous frames of reference for understanding contemporary issues of globalization, colonialism and modernization. It is also a groundbreaking approach to the study of indigenous movements that yields alternative interpretations of political relationships and historical events going back to the first contact between European explorers and Melanesian indigenous groups. Finally, for students of anthropology, it is a highly personal account of the multiple roles of the anthropologist as analyst, participant and advocate for an indigenous group in a precedent-setting legal case against a powerful multinational mining corporation."—Canadian Review of Sociology

"What is masterful about this . . . book is that the author, all the while telling the stories of these contemporary environmental and political struggles, contextualizes them in deeply indigenous ways of knowing and understanding history and the natural and social world."—Journal of Anthropological Research

"Kirsch's ethnographic passages sing with the immediacy of deep and vibrant experience . . . Because of its rich detail and moral clarity, Reverse Anthropology is a productive contribution to anthropological understandings of indigenous social analysis and it deserves a wide readership."—Expedition

"Kirsch documents and explains how Yonggom people construct social worlds and relationships through exchange and what happens when these patterns are disrupted or unreciprocated. The ethnographic descriptions of everyday life, conversations, complex rituals, myths, magic, and sorcery are rich in detail—reflecting his long association with people there and his empathic identification with the sorrow and loss they have experienced."—Current Anthropology

"In a sensitive and nuanced discussion of Yonggom emotions and morality, he effectively illustrates that Yonggom identify sorcerers by examining human emotions and intentionality."—American Anthropologist
"Perhaps, if one thing can save our species hurtling to a collective global suicide through the nightmare of over industrialization, it's Reverse Anthropology: making our own society the subject of an objective analysis from the view-point of other cultures, and drawing on this insight . . . Kirsch's book is a significant contribution to this exercise."—Mines & Communities
"This book . . . serves as a model for culturally appropriate solutions to contemporary local problems."—CHOICE
"Reverse Anthropology is an uncommonly sophisticated work of engaged ethnography, and a book that provides an impressive and uncompromising model of equal accountability to scholarly research and indigenous advocacy. With patience, insight, and brilliant attention to Yonggom subjectivity, Stuart Kirsch reveals what it means to turn anthropology inside out. This is a standout book in the new anthropology of modern Melanesia."—Steven Feld, University of New Mexico
"This is an important story that will draw many audiences. It weaves personal experience, politics, and activism in and out of a scholarly analysis made possible by the way Kirsch draws on the analytical skills of his subjects. In this it is nothing short of a brilliant and sympathetic enterprise."—Dame Marilyn Strathern FBA, William Wyse Professor of Social Anthropology, University of Cambridge
"Stuart Kirsch's work is distinquished by his unusual analytic approach to collaborative work with the Yonggom people in pursuing environmental and civil rights. Inspired by Roy Wagners study of Melanesian cargo cults in terms of indigenous analyses of land, labor, capital, and consumption, Dr. Kirschs Reverse Anthropology links two traditions of research in Melanesia: classic ethnographic studies of reciprocity, religion, kinship, ecology, and personhood, dating from the works of Malinowski and Mauss, to contemporary research on class, commodification, citizenship, environmental pollution, and political violence. This compelling study demonstrates the conceptual and political contribution of reverse anthropology to our common understanding of the workings of local communities, nation-states, transnational corporations, and so-called modernization, thus creating a new synergy in the scholarship of Melanesia relevant to anthropological work much more broadly."—Gillian Feeley-Harnik, University of Michigan

From the Inside Flap
While ethnography ordinarily privileges anthropological interpretations, this book attempts the reciprocal process of describing indigenous modes of analysis. Drawing on long-term ethnographic research with the Yonggom people of New Guinea, the author examines how indigenous analysis organizes local knowledge and provides a framework for interpreting events, from first contact and colonial rule to contemporary interactions with a multinational mining company and the Indonesian state.
This book highlights Yonggom participation in two political movements: an international campaign against the Ok Tedi mine, which is responsible for extensive deforestation and environmental problems, and the opposition to Indonesian control over West Papua, including Yonggom experiences as political refugees in Papua New Guinea. The author challenges a prevailing homogenization in current representations of indigenous peoples, showing how Yonggom modes of analysis specifically have shaped these political movements.

From the Back Cover
"Reverse Anthropology is an uncommonly sophisticated work of engaged ethnography, and a book that provides an impressive and uncompromising model of equal accountability to scholarly research and indigenous advocacy. With patience, insight, and brilliant attention to Yonggom subjectivity, Stuart Kirsch reveals what it means to turn anthropology inside out. This is a standout book in the new anthropology of modern Melanesia."--Steven Feld, University of New Mexico
"This is an important story that will draw many audiences. It weaves personal experience, politics, and activism in and out of a scholarly analysis made possible by the way Kirsch draws on the analytical skills of his subjects. In this it is nothing short of a brilliant and sympathetic enterprise."--Dame Marilyn Strathern FBA, William Wyse Professor of Social Anthropology, University of Cambridge

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0 of 1 people found the following review helpful.
Great buy
By Mikey
Great book, very cheap

See all 1 customer reviews...

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• Sales Rank: #588413 in Books
• Published on: 1982-07
• Number of items: 1
• Dimensions: 8.49" h x 5.48" w x .60" l,
• Binding: Paperback
• 203 pages

Most helpful customer reviews

73 of 74 people found the following review helpful.
Lost 25 pounds in 15 years
By India Starker
This book changed my life. I dieted (aspiring dancer and all that) from age 12 to age 28, when I stumbled upon this book. From age 12 to 28 I gained 30 pounds (105 to 135). After reading the first few pages of the book when I was 28 (1988) I had a revelation. And I stopped dieting. I am now 43. I weigh 110. It is hard to learn to accept yourself and refocus your life. You must drop the priority "if only I was thin." It's not that important. When I read the book I could not believe the part about the woman only eating part of a chocolate mousse. Believe me its true. Dieting damages your natural system of satiety. It takes about ten years to heal. When you are healed (and you will be if you stop dieting) you do not know if there is chocolate in the house. You can eat it. Or not. You can even eat a lot of it. I'll eat a big bar when I want. When you are healed and your satiety is fixed there will be times when you just don't want any. I've had chocolate go grey because it was forgotten. You owe it to yourself to heal. Life is much better. The important rule I retained is *only eat delicious food*. Now can't you live with that?
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40 of 43 people found the following review helpful.
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By Lee Mellott
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35 of 37 people found the following review helpful.
Free At Last Free At Last, Thank God...
By Melissa Joy Goldstein
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