Sunday, February 28, 2010

[P933.Ebook] PDF Ebook Just One Wish, by Janette Rallison

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Just One Wish, by Janette Rallison

Seventeen-year-old Annika Truman knows about the power of positive thinking. With a little brother who has cancer, it?s all she ever hears about. And in order to help Jeremy, she will go to the ends of the earth (or at least as far as Hollywood) to help him believe he can survive his upcoming surgery.

But Annika?s plan to convince Jeremy that a magic genie will grant him any wish throws her a curveball when he unexpectedly wishes that his television idol would visit him. Annika suddenly fi nds herself in the desperate predicament of getting access to a hunky star actor and convincing him to come home with her. Piece of cake, right?

Janette Rallison?s proven talent for laugh-out-loud humor, teen romance, and deep-hearted storytelling shines in a novel that will have readers laughing and crying at the same time.

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Tuesday, February 23, 2010

[R459.Ebook] PDF Download Short Stories in French: New Penguin Parallel Text (French Edition)From Penguin Books

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Short Stories in French: New Penguin Parallel Text (French Edition)From Penguin Books

Written by authors from Quebec as well as France, the majority of these stories have been published in the last decade and reflect a rich diversity of styles and themes. From Daniel Boulanger's exploration of revenge and the desire for recognition in "The Hunter's Cafe," to Alain Gerber's brief and poetic "You Never Die," these stories make excellent reading in any language.

  • Sales Rank: #304786 in Books
  • Color: Other
  • Published on: 2001-01-01
  • Released on: 2001-01-01
  • Original language: French
  • Number of items: 1
  • Dimensions: 7.75" h x .60" w x 5.02" l,
  • Binding: Paperback
  • 240 pages

Most helpful customer reviews

79 of 87 people found the following review helpful.
depressing and difficult
By Paul SanGiorgio
Here is a partial body count from the twelve stories: one dead young boy, one dead young man, two children run away from home, one woman nearly freezing to death, one dead woman, and one dead donkey. There is more (many mentally unstable people, physically deformed people, etc.), but you get the point. For the most part, the stories are depressing and dull. Lots of mental anguish, lots of internal suffering, and not much else. And, as alluded to in my title, the difficulty level starts fairly low but rises quickly to the point that even in English translation some are difficult to follow. If you find the stories interesting -- as clearly the editor does -- this won't be a problem. If not, then you might consider buying something a little bit more "crowd-pleasing" like the dual-language Guy de Maupassant book.

Speaking of Guy, the editor makes the comment in the introduction that Maupassant wrote "short, sardonic narratives in which one always looks for the sting in the tail." Given that the editor is a French Literature professor, I find it absolutely mind-blowing that his entire familiarity with Guy de Maupassant is through "The Necklace." Out of the nearly 300 stories he wrote, one can count on one hand the number of stories with a "sting in the tail" and still have fingers left over. I guess I should have taken his total lack of familiarity with the greatest short-story writer of all time as a sign that maybe he and I wouldn't see eye-to-eye on what constitutes a good short story.

The English translation is excellent and very helpful.

77 of 86 people found the following review helpful.
full spectrum of writings and translation
By Phillip Varady
The content in the original French ranges from the beautiful "On ne meurt jamais" to the confusing "Le personnage" Some works are interesting but others seem tedious. The collection presents to the reader a wide range of contemporary French literature and, if one is a student, an excellent opportunity to see the French language used in all its various applications. The editor takes the liberty of translating the sense of idiomatic phrases rather than attempting to force the words into something that resembles the original, with mixed results. The longest piece, 'David' is also one of the best, as is 'L'objet d'art'; my favorite 'On ne meurt jamais' made the purchase worthwhile all by itself.

19 of 19 people found the following review helpful.
Challenging Prose - Nicely Edited - Worth the Effort
By dennis wentraub
This collection of twelve stories by contemporary French and Quebec authors is challenging for the beginning and maybe even intermediate level student of French. However, Penguin has done an excellent job of matching the English translation on the facing pages, so it is easy to follow the stories in the two languages line by line. Coward's short introduction to the stories is smart and places the themes and techniques of the writers in context. Most of these characters are introspective to a fault(!), isolated, obsessive, delusional, desperate but also desperately hopeful. There is little in the way of humor in these pages - mostly irony and it is decidely dark. But you will be moved in different ways by 'Heloise', 'The Hunters' Cafe', the 'Accursed Notebooks', and you will be made to feel the bitter almost hallucinatory cold of a Montreal winter night in "The Objet d'Art'. You will be surprised by where these writers take you in their stories. In the end this collection is sufficiently intereresting to motivate even a relatively inexperienced student of French to push through some fairly dense prose.

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Thursday, February 11, 2010

[S959.Ebook] Download PDF Our One Great Act of Fidelity: Waiting for Christ in the Eucharist, by Ronald Rolheiser

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Our One Great Act of Fidelity: Waiting for Christ in the Eucharist, by Ronald Rolheiser

From the author of the bestselling, The Holy Longing, comes a book about the central expression of faith for hundreds of millions of Christians, the Eucharist.
 
More so than anything else, the Eucharist is what anchors many peoples' life, prayer, and ultimately the way they live their lives. In this deeply personal book, Father Ronald Rolheiser delves into the history and meaning of this sacred tradition, drawing upon the insights of various scripture scholars, theologians, and church teachings. With personal warmth and great insight, he reflects on his own particular Roman Catholic upbringing and the centrality that the Eucharist has within that tradition. At the same time, he looks at other denominations’ traditions around the Eucharist. Our One Great Act of Fidelity is an investigation into the ways people secure their faith and belief and discover true intimacy with God and each other. Ultimately, however, it is a spiritual and a personal statement of how Ronald Rolheiser understands the Eucharist and why he celebrates it every day.
 
 
 
Ronald Rolheiser is a specialist in the field of spirituality and is currently President of the Oblate School of Theology in San Antonio, Texas. Father Rolheiser is the author of The Holy Longing, The Restless Heart, Forgotten Among the Lilies, The Shattered Lantern, and Against an Infinite Horizon. He writes a weekly column that appears in more than 90 Catholic publications. More information on his work can be found at RonRolheiser.com.

  • Sales Rank: #389415 in Books
  • Brand: Image
  • Published on: 2011-06-14
  • Released on: 2011-06-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .70" w x 5.70" l, .61 pounds
  • Binding: Hardcover
  • 144 pages
Features
  • Great product!

About the Author
RONALD ROLHEISER, O.M.I., a Roman Catholic priest and member of the Missionary Oblates of Mary Immaculate, is president of the Oblate School of Theology in San Antonio, Texas, and the author of the books The Holy Longing, Sacred Fire, The Restless Heart, Forgotten Among the Lilies, The Shattered Lantern, and Against An Infinite Horizon. He is a community-builder, lecturer and writer, and his weekly column appears in more than 90 Catholic publications. More information on his work can be found at ronrolheiser.com.

Excerpt. © Reprinted by permission. All rights reserved.
chapter 1

The INCARNATION and

the BODY of CHRIST

A story that is familiar to many of us tells of a young girl who woke up one night frightened and disoriented, convinced that there were spooks and monsters around her in the darkness of her room. She ran to her parents' bedroom for safety. Her mother brought her back to her own room, put on a light to show her that there was nothing there, and gently tried to reassure her that she was safe. Then, just before leaving, the mother said to her, "You don't need to be afraid. You aren't alone. God is here in the room with you." The child replied, "I know that God is here with me, but I need someone here who has some skin!"

We are all like that little girl. As human beings we are sensual creatures in the true meaning of that term. We are creatures of the senses: touch, sight, hearing, smell, and taste. Everything that enters us goes through one of those five senses and everything that comes out of us, all communication and expression, comes out through one of those same senses. We are not angels, pure spirits without bodies. We are incarnate spirits, souls that have a body, and so we need things that we can touch, see, hear, taste, and smell.

That is true, too, sometimes especially so, in terms of our relationship to God. A God who is everywhere is, for us, at a certain point, nowhere. We are human. We need a God who has some skin, who can be located, who can somehow be physically touched. And God--who knows human nature, since he created it--respects that need in us and meets us on our own terms. Thus, the central tenet within Christianity, the very thing that defines it, is the belief that, in Christ, God took on concrete flesh and became tangible, physical, someone who can touch and be touched. Indeed the very word Christ ultimately means divine reality inside of human flesh.

When John wrote his Gospel, he did not include a Christmas story. In place of the birth of Jesus, he simply wrote, The word was made flesh and it lives among us. That single statement defines Christianity. Christianity isn't first and foremost a religion or a set of beliefs. Rather, parallel to the unfolding of the universe itself, it is an ongoing story, the story of God taking on physical flesh in this world, a story that began with the birth of Jesus in Bethlehem and that continues down to this very day. God is still taking on concrete flesh. How?

The mystery of God taking on concrete flesh, which Christians call the incarnation, isn't a simple thirty--three--year incursion of God into human history in the person of Jesus. It's more. God took on flesh in Jesus, but the incarnation didn't end when Jesus ascended back to the Father after his resurrection. The incarnation is still going on. God is still taking on concrete flesh in this world. Where?

In the Christian scriptures, the term the body of Christ is used to refer equally to three things: the historical body of Jesus, the body of believers, and the Eucharist. Each of these is referred to as the body of Christ. Each is the body of Christ. For instance, when Saint Paul refers to either the community of believers or the Eucharist, he never intimates that they are like Jesus, that they replace Jesus, that they are symbolic representations of Jesus, or even that they are a mystical presence of Jesus. Each is equally called the body of Christ, each is that place in our world where God takes on concrete flesh. God still has skin in this world, in the Eucharist and in the community of believers. The incarnation is still going on. The word is still becoming flesh and living among us.

That is the first, and the key, thing that must be said about the Eucharist. Along with the community of believers, the Eucharist is God's physical presence, God's real presence in the world. The Eucharist is the place where God continues to take concrete physical flesh just as he once did in the womb of Mary. In the Eucharist, the word continues to become flesh.

2

The CENTRALITY of the EUCHARIST

to the CHRISTIAN FAITH

Jesus didn't leave us a lot of rituals. He left us his Word1 and he left us one ritual, the Eucharist. He refers to other rituals such as baptism, and other parts of the Christian scriptures refer to the laying on of hands, to the confessing of sins, and to various kinds of anointing with oil, but Jesus, himself, left us only his Word and the Eucharist.

And it is around these two things, the Word and the Eucharist, that we form community; from these we create church. Historically Roman Catholics and Protestants have differed as to which of these to give the priority. In classical Protestant theology and practice, the Word is central; it is what first and foremost draws us into community. Eucharist might or might not follow. In Roman Catholicism, the Eucharist is given priority and the Word and all the other sacraments are ultimately in support of the Eucharist.2 In a vast oversimplification, it might be said that Roman Catholics form church around the Eucharist, while seeing the Word as a necessary prelude to and supplement to the Eucharist; whereas Protestants form church around the Word, while seeing the Eucharist as flowing out from that in different ways.

Partly this can be seen simply by walking into either a Roman Catholic or a Protestant church. When you walk into

a Protestant church, what is front and center? A pulpit or a lectern, something from which the Word of God is proclaimed and preached. Secondarily there might or might not be an altar, and if there is one, it is generally less centrally situated. The architecture speaks the theology: we gather first and foremost around the Word. The Eucharist takes a secondary place. When you walk into a Roman Catholic church the reverse is true: What is front and center? An altar. Off to one side, far less prominently, is placed a pulpit or a lectern. The message is also clear in the architecture: we gather first and foremost around the Eucharist, and the Word takes second place.

Biblical scholars suggest that this kind of division may have existed already at the time when the Gospels were written. Already then there were major variations among the different communities as to how often the Eucharist was celebrated and what its exact role was in bringing the community together. In either case, however, it was still deemed to be central, the summit to which we are called. Augustine, perhaps the most influential Christian theologian of all time, puts it this way: Jesus didn't leave us the church and from the church we derive the Eucharist; rather, for him, Jesus left us the Eucharist and from the Eucharist we derive the church. The church is in service of the Eucharist, not vice versa. Heaven will be a banquet table. The Eucharist already is that table. Because of this, Roman Catholics teach that the Eucharist is the source and the summit of all Christian life. However, because it is both source and summit, it gives a mixed message: it is both the sign of our unity and a means of coming to that unity. It is both the end to which all Christians are journeying and, at least partially, the means to get there. This double meaning has been the source of much, and sometimes bitter, debate among the churches in regard to the practice of intercommunion.

3

The RADICAL, SHOCKING, RAW, PHYSICAL CHARACTER

of the EUCHARIST

A few years ago Brenda Peterson wrote a book of essays titled Nature and Other Mothers.3 Her first entry is wonderfully named In Praise of Skin. In it, she tells how at one point in her life she was afflicted by painful skin rashes. Like the woman with the hemorrhage in the Gospels, she tried every possible doctor, but found no cure. Medication after medication proved ineffective, and eventually the doctors ran out of things to try. The rash always came back.

One day her grandmother assessed her and pronounced a more ancient and accurate diagnosis: "Skin needs to be touched!" Her grandmother then began to give her regular skin massages, and these did what the more sophisticated medicines couldn't do. They cured her.

Peterson's grandmother is right: Skin needs to be touched!

God knows that better than anyone. It's why Jesus gave us the Eucharist. In the Eucharist skin gets touched. The Eucharist isn't abstract, a theological instruction, a creed, a moral precept, a philosophy, or even just an intimate word. It's bodily, an embrace, a kiss, something shockingly physical, the real presence in a deeper way than even the old metaphysics imagined.

For whatever reasons, we tend to shy away from admitting how radically physical the Eucharist actually is. Saint Paul didn't share that fear. For him, the physical communion that takes place in the Eucharist, between us and Christ as well as among ourselves, is as real and radical as sexual union. For example, he argues against sex outside of marriage by saying that our union with Christ and each other in the Body of Christ is so intimate and real that, in effect, we would prostitute that Body if we were to have illicit sex. Strong words, but they are predicated on a very earthy conception of the Eucharist.

The early church followed Paul on this. They understood the Eucharist as so real, so physical, and so intimate that they surrounded it with the same taboos of privacy, reverence, and reticence that we reserve for sexual intimacy. For some centuries the early church had a practice (still partially followed in

some present--day church programs) that it called the Disci-plina Arcani. The discipline tried to guarantee that nobody who was not baptized or fully initiated into the community could participate in the Eucharist (beyond the liturgy of the Word). As well, Christians who were fully initiated were forbidden to speak to outsiders about the Eucharist. The intent of the discipline was not to create a mystique around the Eucharist so as to draw people to it through curiosity. Rather the idea was that the Eucharist is so intimate an act that propriety, respect, and reverence demand non--exhibitionism: you don't make love in public, and you don't talk to outsiders about this kind of intimacy.

We tend to shy away from that kind of talk. Partly that's understandable. It's hard to be comfortable religiously with how Christianity understands the physical and the bodily.

Christianity is without doubt the earthiest of all religions.4 Unlike most other religions, it doesn't call you out of the physical, out of the body, or out of the world. Rather it tells you that God enters the physical, becomes one with it, blesses it, redeems it, and that there is no reason to escape from it.

Something in that goes against the grain. Christ's relationship to the physical scandalized his contemporaries. "This is intolerable language!" is what the crowds said when Jesus spoke of the physical character of the Eucharist in John's Gospel, and the raw physical character of the Eucharist is still hard for us to accept today. But it's also a wonderful part of Christianity. In the Eucharist, our skin gets touched.

And, given our tensions and loneliness, we need that touch frequently, daily even. The late essayist and novelist Andre Dubus once wrote a wonderful little apologia on why he went to Eucharist regularly, despite the eyebrows that were sometimes raised in the circles he moved in. Here are his words:

This morning I received the sacrament I still believe in: at seven-- fifteen the priest elevated the host, then the chalice, and spoke the words of the ritual, and the bread became flesh, the wine became blood, and minutes later I placed on my tongue the taste of forgiveness and of love that affirmed, perhaps celebrated, my being alive, my being mortal. This has nothing to do with immortality, with eternity; I love the earth too much to contemplate a life apart from it, although I believe in that life. No, this has to do with mortality and the touch of flesh, and my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking, the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.5

The Eucharist is physical, real, shockingly so.

part two

The MANY DIMENSIONS

of the EUCHARIST

Christians argue a lot about the Eucharist. What does it mean? What should it be called? How often should it be celebrated? Who should be allowed to participate fully?

There are lots of views on the Eucharist. For some it is a meal, for others it is a sacrifice. For some it is a ritual act, sacred and set apart, for others it is a community gathering, the more mess and kids the better. For some it is a deep personal prayer, for others it is a communal worship for the world. For some its very essence is a coming together, a communion, of those united in a single denominational faith, while for others part of its essence is its reaching out, given that it contains an innate imperative to wash the feet of those who are different from ourselves. For some it is a celebration of sorrow, a making present of Christ's suffering, the place where we can break down, for others it is the place to celebrate joy and sing alleluia. For some it is a ritual remembrance, a bringing into the present of the historical events of Jesus' dying, rising, ascending, and sending the Holy Spirit, for others it is a celebration of God's presence with us today. For some it is a celebration of the Last Supper, something to be done less frequently, for others it is God's daily feeding of his people with a new manna, Christ's body, and is something to be done every day. For some it is a celebration of reconciliation, a ritual that forgives and unites, for others unity and reconciliation are preconditions for its proper celebration. For some it is a vigil act, a gathering that is essentially about waiting for something else or someone else to appear, for others it is a celebration of something that is already present and is asking to be received and recognized. For some it is understood to make present the real, physical body of Christ, for others it is understood to make Christ present in a real but spiritual way. Some call it the Lord's Supper, some call it the Eucharist, some call it the Mass. Some celebrate it once a year, some celebrate it four times a year, some celebrate it every Sunday, and some celebrate it every day. Who's right?

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20 of 20 people found the following review helpful.
biblical based book on eucharist
By james
i am a priest and i find this book to be a biblically based and practical explanation of our greatest act of worship the Eucharist, the meal of Thanksgiving and Remebrance. The book touches the heart of the faithful and shows how Jesus is the Word who communicates to us as we are, phyical with five senses and spiritual with a longing to be fed. i find the book presenting Jesus, the Real Presence, as a Gift, a Person, Someone to be received into my heart and not a 'thing' to be anaylized and fragmented with philosophical thought. a must read for as many as possible. last, thankfully, John 6, a most fascinating chapter in all of the bible was used and emphasized Jesus as the Bread of Life and we can freely choose to receive this Gift, or walk away. we do the latter at a great loss to our soul. "Lord, to whom shall we go? You have the words of eternal life." He is the Word of Eternal Life.

17 of 17 people found the following review helpful.
Peggy
By Peggy
This book has expanded my understanding of the Eucharist. The book is written that you could read any chapter in any order. You will want to go back and reread!

9 of 9 people found the following review helpful.
Reassessing our ritual
By LeonCarapetyan
Although written from a distinctly Roman Catholic approach to the rites and rituals of church participation and attendance, this book also provides a universal insight to the reasons for communion and for participating in a Eucharistic worship service. Well written and easily understood, it makes good reading for any passionate Christian at any time, but especially in the season of Lent.

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Tuesday, February 9, 2010

[K468.Ebook] Download Integrated Pest Management for Cultural Heritage, by David Pinniger

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Integrated Pest Management for Cultural Heritage is a practical, color- illustrated, working handbook for the curator, conservator and all persons concerned with the management of collections. It is an essential guide to the recognition of insect, rodent and bird pests with advice on the practical steps required to prevent and control damage to collections.

While presenting the latest information on the trapping and detection of pests, the author explains the advantages and disadvantages of physical and chemical control measures including concerns about the use of pesticides and their effects on staff and the environment. In addition he demonstrates that Integrated Pest Management (IPM) is not only a safer option but also a more cost-effective solution to the complex problems of pest control.

This book offers comprehensive guidance for the treatment of any pest problem likely to be encountered in museums, archives and historic houses.

Contents:
Chapter 1: Introduction to Integrated Pest Management in Cultural Heritage - What is Integrated Pest Management?; Key components of Integrated Pest Management; Developing a strategy; Preventing pests; Recognising pests; Assessing the problem; Solving pest problems
Implementing Integrated Pest Management
Chapter 2: Insect pests - Why are insects pests?; What are insects?; What are the Pests?; Pests which attack wool, fur, feathers and textiles; Herbarium collections, dried food etc.; General detritus feeders, mould feeders and scavengers; Woodborers; Termites; Mites
Chapter 3: Insect detection and monitoring - Where do insects come from?; What to look for?; Insect traps; Pheromones; X-rays and incubation
Chapter 4: Prevention of insect infestation - Exclusion; Environment; Hygiene; Storage; Quarantine
Chapter 5: Control of insects - Options for treatment; Insects in buildings; Cooling; Humidity; UV traps; Biological control; Insecticides; Insects in objects; Physical Control; Freezing; Heating; Nitrogen; Oxygen scavengers; Carbon dioxide; Radiation; Insecticides; Fumigation; Damage to objects by chemical treatments; Residues and risk from past treatments
Chapter 6: Rodents and Birds - Rodents as pests; Rodent lives; Detection; Preventing infestation; Rodent control; Birds Feral pigeons, sparrows and starlings; Management of birds; Repellents and deterents; Other vertebrate pests; Bats
Chapter 7: Implementing Integrated Pest Management - Pest Control Strategy; Museum Practice; Risk zones; Resources; Collection Policy, Museum Objectives & Functions; Interaction with Other Museums; Insect problems in tropical climates; Age of Collection and Buildings and Special Constraints; Training and Communication; Pest control contractors; The future
References and further reading; Glossary; Index.

  • Sales Rank: #2612589 in Books
  • Published on: 2015-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.62" h x .42" w x 6.81" l, .0 pounds
  • Binding: Paperback
  • 180 pages

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Friday, January 29, 2010

[F245.Ebook] Ebook Download Punisher Max Complete Collection Vol. 1 (The Punisher: Max Comics), by Garth Ennis

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Punisher Max Complete Collection Vol. 1 (The Punisher: Max Comics), by Garth Ennis

Experience the gritty and uncompromising Punisher MAX from the very beginning! When a mob hit killed his beloved wife and children, Frank Castle became the Punisher - an unstoppable one-man army waging war on every piece of criminal scum plaguing New York's streets. But do the Punisher's origins trace back even further? In 1971 Vietnam, Captain Castle's platoon faces a Viet Cong attack...and to survive, he must make a grim choice. Then, Punisher's old partner Microchip, long thought to be a casualty of Castle's war, resurfaces with a startling offer!

COLLECTING: BORN 1-4, PUNISHER (2004) 1-12

  • Sales Rank: #16850 in Books
  • Published on: 2016-02-09
  • Released on: 2016-02-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x .75" w x 6.75" l, .0 pounds
  • Binding: Paperback
  • 424 pages

About the Author
A cornerstone of the modern comic industry, Garth Ennis is most easily recognized as the creator of Preacher, one of the best-selling graphic novel series of all time. His full list of writing credits is nothing short of extraordinary; his career highlights include "Judge Dredd, Hellblazer, The Demon, Hitman, Punisher, The Pro, War Story, and The Boys". Over the past ten years, Ennis has published numerous acclaimed and fan-favorite projects through Avatar Press, including "Dicks, Chronicles Of Wormwood, 303, Streets Of Glory", and the wildly successful Crossed series. He wrote and directed his first film, "Stitched", which Avatar Press continued as an ongoing series.

Beginning his career in comic books as a freelance artist in 1990, David Lapham founded El Capitan Books in 1995 exclusively to publish his Eisner Award-winning crime comic book series, "Stray Bullets". In recent years, he has worked as a writer for DC Comics, Marvel Comics, IDW Publishing, Dark Horse, and finally Avatar Press, on three "Crossed" projects ("Family Values", "Crossed 3D", "Badlands", and "Psychopath"), "Ferals", and "Caligula".

Simon Spurrier, a British author of comic books and novels, first began writing professionally in 2001. He contributed extensively to the library of respected UK publisher 2000 AD, including their flagship comic book series "Judge Dredd, Harry Kipling, Lobster Random, and The Simping Detective". He also wrote several novels set in the 2000 AD and Warhammer 40,000 story continuities. With the debut of his creator-owned series "Gutsville" in 2007, Spurrier began to work in the American comic book market, predominantly on such Marvel Comics properties as "Silver Surfer, Ghost Rider, and X-Men". In 2011, Spurrier launched a successful web comic through Avatar Press, "Crossed: Wish You Were Here", which presents his take on the on the popular horror franchise (CrossedComic.com).

A cornerstone of the modern comic industry, Garth Ennis is most easily recognized as the creator of Preacher, one of the best-selling graphic novel series of all time. His full list of writing credits is nothing short of extraordinary; his career highlights include "Judge Dredd, Hellblazer, The Demon, Hitman, Punisher, The Pro, War Story, and The Boys". Over the past ten years, Ennis has published numerous acclaimed and fan-favorite projects through Avatar Press, including "Dicks, Chronicles Of Wormwood, 303, Streets Of Glory", and the wildly successful Crossed series. He wrote and directed his first film, "Stitched", which Avatar Press continued as an ongoing series.

Beginning his career in comic books as a freelance artist in 1990, David Lapham founded El Capitan Books in 1995 exclusively to publish his Eisner Award-winning crime comic book series, "Stray Bullets". In recent years, he has worked as a writer for DC Comics, Marvel Comics, IDW Publishing, Dark Horse, and finally Avatar Press, on three "Crossed" projects ("Family Values", "Crossed 3D", "Badlands", and "Psychopath"), "Ferals", and "Caligula".

Simon Spurrier, a British author of comic books and novels, first began writing professionally in 2001. He contributed extensively to the library of respected UK publisher 2000 AD, including their flagship comic book series "Judge Dredd, Harry Kipling, Lobster Random, and The Simping Detective". He also wrote several novels set in the 2000 AD and Warhammer 40,000 story continuities. With the debut of his creator-owned series "Gutsville" in 2007, Spurrier began to work in the American comic book market, predominantly on such Marvel Comics properties as "Silver Surfer, Ghost Rider, and X-Men". In 2011, Spurrier launched a successful web comic through Avatar Press, "Crossed: Wish You Were Here", which presents his take on the on the popular horror franchise (CrossedComic.com).

Robertson is the co-creator (with Warren Ellis) and artist for the acclaimed Transmetropolitan monthly series for DC's Vertigo imprint.

Most helpful customer reviews

15 of 16 people found the following review helpful.
Spectacular collection of the Punisher series as done by Garth Ennis. Two Thumbs Up!
By Carbonlord
This graphic novel, like most of Garth Ennis’ work is gritty and brutal. Frank Castle aka the Punisher is just off his hinges and is literally killing everybody and everything without remorse. What Marvel is trying to do is to capture a new generation of readers with these Complete Collections and they are doing a great job of it. The story is overall great and Ennis wrote it brilliantly. It gets dark sometimes and to see Frank off the rails like this is almost unnerving, but very cool!

It is really well put together as it encompasses Punisher: Born which is the series where Frank is in Vietnam. Born was a four issue series which show Frank before he became the Punisher, as we know him. This entire series was “The First Day, The Second Day, The Third Day and The Last Day” and they put this out into its own trade paperback, as a whole. I have the original issues and the TPB, which included some extra materials from the story.

It also has the TPB “In the Beginning” and “Kitchen Irish” which takes place in Hell’s Kitchen. In essence those two were split to cover issues 1-6 and then 7-12 of the 74 issue series. So the trade paperbacks were split into an original 13 different series from 2004 through 2009 to cover the 74 issues.

This is what is coming in the next volume, more of Frank in issues 13-30. These were put into the TPB of “Mother Russia, Up is Down and Black is White and lastly, The Slavers".

Hope it helps:)

14 of 16 people found the following review helpful.
I've heard about this collection for a while as being one of the best comic runs of the decade
By Amazon Customer
My first punisher book. I've heard about this collection for a while as being one of the best comic runs of the decade. Gory graphic and raw. Felt very different from typical super books. Book is huge over 400 pages and includes Born, in the begining and kitchen Irish. Great book. Will purchase the next volume in April I think it comes out. For adult comic readers only.

5 of 5 people found the following review helpful.
The Punisher At His Best
By Ryan
Despite having read quite a bit of Punisher stuff, I hadn't dipped into this particular Ennis run until this collection came out, and now I regret not checking it out sooner. It's much darker than previous Ennis stories like Welcome Back, Frank. Born and Kitchen Irish are both fairly good, but In The Beginning is an iconic powerhouse of a story that's a great intro for new fans and a real experience for those more familiar with the Punisher mythos, or even those who've just read something like WBF. Great stories, quality book.

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Develop high-quality and maintainable Python applications using the principles of test-driven developmentAbout This Book

  • Write robust and easily maintainable code using the principles of test driven development
  • Get solutions to real-world problems faced by Python developers
  • Go from a unit testing beginner to a master through a series of step-by-step tutorials that are easy to follow
Who This Book Is For

This book is intended for Python developers who want to use the principles of test-driven development (TDD) to create efficient and robust applications. In order to get the best out of this book, you should have development experience with Python.

What You Will Learn
  • Implement the test-driven development process in Python applications
  • Fully leverage Python's powerful built-in unittest and doctest modules
  • Effectively add features to existing code bases that do not have any tests
  • Safely resolve problems with the code and design, without breaking any functionality
  • Utilize Python's powerful mock and patch functionality to test complex interactions
  • Integrate unit testing into the overall software delivery process
  • Use doctest to test code with examples
  • Enhance TDD with the nose2 test runner
In Detail

This book starts with a look at the test-driven development process, and how it is different from the traditional way of writing code. All the concepts are presented in the context of a real application that is developed in a step-by-step manner over the course of the book. While exploring the common types of smelly code, we will go back into our example project and clean up the smells that we find.

Additionally, we will use mocking to implement the parts of our example project that depend on other systems. Towards the end of the book, we'll take a look at the most common patterns and anti-patterns associated with test-driven development, including integration of test results into the development process.

  • Sales Rank: #247849 in eBooks
  • Published on: 2015-04-29
  • Released on: 2015-04-29
  • Format: Kindle eBook

About the Author

Siddharta Govindaraj

Siddharta Govindaraj first encountered Python in 2002, and it has remained his favorite programming language ever since. He was an early participant in BangPypers, India's first Python community, and a speaker at InPycon. He is the founder of Silver Stripe Software, an Indian product start-up that develops products based on Python. A vocal proponent of the language, Siddharta extols the virtues of Python to anyone who will listen―and also to those who won't. His blog is at http://www.siddharta.me.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great book to learn about TDD and how to make the best out of it.
By Miguel Rentes
This book provides an excellent learning artifact and reference to the Test-Driven Development practice. Even if you have already used TDD in your software projects or continue to use it, you will benefit a lot of reading this book, because it will show you how to take the most out of using TDD with Python's unittest built-in module in a simple software application to follow. The book is also very easy and accessible to read. It makes the reader acknowledge all the power of TDD and the tools the author uses to extend the TDD practice is a value asset to use on any software project.

Why this is a great book to me:

- The TDD approach is carefully explained and the importance of using it in our software projects;
- The software application the author uses as an example on how to use TDD is simple to understand, and it is a real world software application, not an abstract example; We go carefully into every module of this application while improving our application with TDD;
- This book covers Refactoring Patterns and Anti-Patterns and how to avoid recurrent Code Smells;
- Explains how to use Mock Objects to test interactions between multiple objects;
- Tells us how to deal with legacy code which have no tests. This is a must-read chapter!
- Shows us how to maintain our test suite with docstrings, custom test class hierarchies, fixtures, helper methods, custom assert matches, equality functions and matchers to make our code more readable;
- Covers executable documentation with Python's doctest module, on methods, classes, modules and packages;
- Shows us how to extend Python's unittest with nose2, a powerful third-party tool and plugin suite;
- Covers Unit Test Patterns, from Mocking Patterns, Spies, Generator functions, to Mocking with Mutable Arguments;
- A rich set of powerful tools is gathered in this book: from third-party tools and Python's built-in modules, build tools, packaging tools, continuous integration tools, documentation tools and current TDD IDE integration;
- Python 3.4 throughout this book, although the author has compiled an annex on how to use the code samples in Python 2.6 as well.

Overall, this is a great book to read and to use in every software development process. After reading this book I can't think of any reason why any software projects shouldn't have tests anymore, and shouldn't be continuous integrated as well. This book shows exactly how to achieve the best out of the TDD approach with the current tools in Python 3. It's well worth a read and to have at hand, no doubt.

2 of 2 people found the following review helpful.
Good info, could use some revisions
By tony
I was really excited to review this book. I've already read the Django TDD book by Henry Percival and covered the Testing Python book by David Sale, they were both really informative and covered TDD principles and tools in a manner I found clear and easy to understand. That being said, this book started to lose me around the 3rd chapter. Here's my analysis:

Pros:
-The author covers a lot of really good topics related to TDD. Code smells, refactoring, how to address a pre-existing code base that you're walking into for the first time were all topics I found to be really helpful.
-The book challenged me to learn about Python topics that I had not previously known about. I wasn't sure how @classmethod worked or what the setUpClass method did in unittesting, but I certainly looked them up when the book presented them to me and was sure to fully understand them before proceeding.
-The code coverage is available on GitHub, which is always great, so you can follow along easily.

Cons:
-I felt like the organization of the book started to slack around the 2nd chapter in Exploring the Rule classes. The whole point of TDD is for the programmer to write the tests first and the implementation code 2nd. We make the tests fail, we write code until it passes, we move on. Then we refactor. Great. Why, in the 2nd chapter, are we then presented with implementation code (no tests), then a discussion of TDD principles, followed by "here's the tests and they should pass".
-Further to this point, it started to get difficult to read in chapter 3 which begins discussion of a new functionality, dual crossover moving average. Immediately, we get the implementation code (again, no tests) followed by a discussion about renaming variable and renaming method refactoring methods, both of which involve running the tests first to make sure they pass. When it comes time to implement this code, the author simply says "the tests are in the exercise section". So I'm supposed to read up to that point, then skip to the end to check out the exercises and get the tests, then go back and continue working on the code base? Furthermore, I am looking at the exercises as I type this and there is no presentation of those tests whatsoever.
-Finally, while the book does cover some good topics, there are times when it gets a little off topic (I guess). For instance, in the section regarding commenting styles, we begin discussion about how to properly write comments (of course). However, rather than applying this to the current code base and application we are working on, the author gives an example of determining if people are old enough to receive a senior citizen discount. I know this is a simple example, but why switch gears when we could have easily applied this to what was being worked on (there was a presentation of a very poorly written method at the beginning of the chapter).

All in all, I wouldn't say this was a poor book, I've read some O'Reilly work that could make you want to quit programming altogether, but I do think there could be some effective revisions to make it easier to read and understand. I have a lot of respect for authors who decide to take on TDD as it is a discipline and requires constant effort and attention. That being said, I would recommend this book to review the principles and topics discussed, but not necessarily to follow along in a step by step manner.

1 of 1 people found the following review helpful.
Great introduction and in-depth explanation of Testing in Python.
By Jacob Zimmerman
Cons:
- Kindle format text is WAY too big (at least on my device) - they're looking into getting this fixed if they can
- Packt Publishing didn't do the best job with editing. There are quite a few (not a LOT, but enough to be a bit annoying) mistakes of all kinds. Missing words, code mistakes, typos, etc.
- A TDD book that only starts off showing TDD, then mostly doesn't show tests until after showing the code.

Pros:
+ Great at introducing TDD and unit testing in python, then really digging into the more advanced stuff.
+ First thing I've found that explains Python's built-in mocking framework very well.
+ Doesn't repeat too much and doesn't move too quickly

Note: Only 3 or 4 (out of 10) chapters are truly about TDD as opposed to just unit testing. It's up to you whether this is good or bad.

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El jardin de las fieras (Garden of Beasts) (Spanish Edition), by Jeffery Deaver

Paul Schumann is a mobster hit man known as much for his brilliant tactics as for taking only righteous tasks. But when he gets caught, he s given an alternative to the electric chair: to go to Berlin undercover as a journalist writing about the upcoming 1936 Berlin Olympics, in order to assassinate Col. Reinhard Ernst, the chief architect of Hitler's militarization. Garden of Beasts is packed with fascinating period detail and features a cast of perfectly realized locals, Olympic athletes and senior Nazi officials. Description in Spanish: Nueva York, 1936. Paul Schumann, un asesino a sueldo de la mafia, famoso por su sangre fría y su profesionalidad, es obligado por los servicios secretos estadounidenses a escoger entre dos opciones: pudrirse en la cárcel o llevar a cabo el encargo casi imposible de asesinar al lugarteniente de Hitler... En el Berlín de las olimpiadas, Schumann tiene que vérselas con el más implacable detective de la policía alemana... En la vorágine de su enfrentamiento, ambos comprenden que la mayor amenaza que se cierne sobre ellos y sus países es el imparable ascenso de los nazis...

  • Sales Rank: #6688048 in Books
  • Published on: 2007-04-30
  • Ingredients: Example Ingredients
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 7.50" h x 1.64" w x 5.00" l, .89 pounds
  • Binding: Paperback
  • 656 pages

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