Thursday, June 10, 2010

[T751.Ebook] Free PDF Objective First Student's Book Pack (Student's Book with Answers with CD-ROM and Class Audio CDs(2)), by Annette Capel, Wendy Sharp

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Objective First Student's Book Pack (Student's Book with Answers with CD-ROM and Class Audio CDs(2)), by Annette Capel, Wendy Sharp

Fourth edition of the best-selling Cambridge English: First (FCE) course, updated to prepare for the 2015 revised exam. The Student's Book with answers contains fresh, updated texts and artwork that provide solid language development, lively class discussion and training in exam skills. The 24 topic-based units include examples from the Cambridge English Corpus to highlight common learner errors, while vocabulary sections informed by the English Vocabulary Profile ensure that students are learning the most useful language required at this level. A phrasal verb list provides a handy reference. The interactive CD-ROM provides comprehensive extra practice of the language and topics covered in the book. The Class Audio CDs contain the recordings for all the listening exercises.

  • Sales Rank: #2534245 in Books
  • Published on: 2014-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.87" h x .39" w x 8.62" l, 1.60 pounds
  • Running time: 154 minutes
  • Binding: Paperback
  • 240 pages

About the Author
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Good book!!!

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Five Stars
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Wednesday, June 9, 2010

[N140.Ebook] PDF Download Principles of Brewing Science, by George Fix

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Principles of Brewing Science, by George Fix

This technical book thouroughly explains the fundamental chemistry and biochemistry of brewing great beer.

  • Sales Rank: #1751028 in Books
  • Brand: Brand: Brewers Publications
  • Published on: 1998-01-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l,
  • Binding: Paperback
  • 250 pages
Features
  • Used Book in Good Condition

Review
This technical book thoroughly explains the fundamental chemistry and biochemistry of brewing great beer. Compounds, reactions, fermentation and bacterial metabolism are a few of the comprehensively discussed and fully indexed topics. There are a number of "how-to" brewing titles, but Principles Of Brewing Science should form the core of any brewer's collection. -- Midwest Book Review

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Monday, June 7, 2010

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Titlee: Comment développer son leadership : 6 préceptes pour les managers
Author(s): John Maxwell, Mark Miller, Ken Blanchard et Lucien Chardon
Publisher: Editions d'Organisation
Publishing year: 2005
Sate: Second Hand - Good
ISBN : 9782708132221
Comment: Former library book. Edition 2006. Ammareal gives back up to 15% of this book's net price to charity organizations.

Ammareal sells online second hand books provided by our partners which are associations and lbraries.
A portion of the price of each book is donated to our partners or to charities.
What we do not sell is given, what we do not give is recycled.

  • Sales Rank: #13042139 in Books
  • Original language: French
  • Dimensions: 5.91" h x .31" w x 8.66" l,
  • Binding: Paperback

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Sunday, June 6, 2010

[L849.Ebook] Download Behind the Lens: Dispatches from the Cinematographic Trenches, by Jay Holben

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Behind the Lens: Dispatches from the Cinematographic Trenches, by Jay Holben

Filmmaker Jay Holben has been battling in the production trenches for most of his life. For the past 17 years, he’s chronicled his adventures in the pages of American Cinematographer, Digital Video, Videography, and TV Technology. Now, in Behind the Lens: Dispatches from the Cinematic Trenches, he’s compiled nearly 100 of his best articles on everything from camera technology and lenses to tips and techniques for better lighting. Whether you’re making independent films, commercials, music videos, documentaries, television shows, event videos, or industrials, this full color collection provides the tools you need to take your work to the next level and succeed in the world of digital motion imaging.

Featured topics include:

*Tech, including the fundamentals of how digital images are formed and how they evolved to match the look of a film, as well as image compression and control

*Optics, providing a thorough examination of lenses and lens interchangeability, depth of field, filters, flare, quality, MTF, and more

*Cameras, instructing you in using exposure tools, ISO, white balance, infrared, and stabilizers

*Lighting, featuring advice on using lighting sources and fixtures and how to tackle common lighting problems

Additional tips and tricks cover improving audio, celestial photography, deciding if film school is right for you, and much more.

For over a decade Jay Holben has worked as a director of photography in Los Angeles on features, commercials, television shows, and music videos. He is a former technical editor and frequent contributing writer for American Cinematographer, the current technical editor and columnist for Digital Video, and the lighting columnist for TV Technology. The author of A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben is also on faculty for the Global Cinematography Institute. He is now an independent producer and director.

  • Sales Rank: #150163 in Books
  • Published on: 2015-09-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .90" w x 7.40" l, 1.64 pounds
  • Binding: Paperback
  • 466 pages

About the Author

For over a decade Jay Holben has worked as a director of photography in Los Angeles on features, commercials, television shows, and music videos. He is a former technical editor and frequent contributing writer for American Cinematographer, for seven years he served as technical editor and columnist for Digital Video and currently writes a lighting column for TV Technology. The author of A Shot in the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget, Holben is also on faculty for the Global Cinematography Institute. He is now an independent producer and director.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Must Read for any Film Student
By Amazon Customer
Jay's book is a must read for any student of cinematography looking to deepen their understanding of the craft. Jay has the ability to take complex concepts and to break them into easily digestible examples and references written in a very easy to understand style. I use both of Jay's books as reference texts in courses I teach in cinematography for that very reason. The chapters he has written on Optics are an amazing resource on a topic seldom explored in cinematography text in great detail. I also love that the book touch on practical exercises like tying knots that every filmmaker can use. The book is littered with great illustrations, charts, and photos that really add value to the content. I highly recommend Behind the Lens!

2 of 2 people found the following review helpful.
AMAZING RESOURCE!
By Amazon Customer
Jay is the best teacher in these subjects I have had the pleasure to read and talk to!
His extensive experience and research is absolutely incredible and the fact that he writes these books to share his knowledge in such a simplified way that can get through practically anyone is even more admirable. After reading his first book, he now unconditionally has me recommending his literature (including articles on several very recognized film magazines) to all cinematography students I have taught and worked with.
I cant recommend this piece enough, I actually now carry it in my bag every time I go on set as a great resource for creative approaches as much as a technical guide.
You wont regret buying this one and reading it over and over! Great investment!

2 of 2 people found the following review helpful.
The best resource for anyone wanting to be a Cinematographer
By David Pitt
The best resource for anyone wanting to be a Cinematographer. Jay not only talks about the process he explains the why and how. If you want to learn more about being a DP and become a better and more technical film maker this is the best book on the market.

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Saturday, June 5, 2010

[V134.Ebook] Ebook Free When the Emperor Was Divine, by Julie Otsuka

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The debut novel from the PEN/Faulkner Award Winning Author of The Buddha in the Attic

On a sunny day in Berkeley, California, in 1942, a woman sees a sign in a post office window, returns to her home, and matter-of-factly begins to pack her family's possessions. Like thousands of other Japanese Americans they have been reclassified, virtually overnight, as enemy aliens and are about to be uprooted from their home and sent to a dusty internment camp in the Utah desert.

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  • Sales Rank: #12682 in Books
  • Published on: 2003-10-14
  • Released on: 2003-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .40" w x 5.20" l, .35 pounds
  • Binding: Paperback
  • 160 pages
Features
  • When the Emperor Was Divine
  • Julie Otsuka

Amazon.com Review
A precise, understated gem of a first novel, Julie Otsuka's When the Emperor Was Divine tells one Japanese American family's story of internment in a Utah enemy alien camp during World War II. We never learn the names of the young boy and girl who were forced to leave their Berkeley home in 1942 and spend over three years in a dusty, barren desert camp with their mother. Occasional, heavily censored letters arrive from their father, who had been taken from their house in his slippers by the FBI one night and was being held in New Mexico, his fate uncertain. But even after the war, when they have been reunited and are putting their stripped, vandalized house back together, the family can never regain its pre-war happiness. Broken by circumstance and prejudice, they will continue to pay, in large and small ways, for the shape of their eyes. When the Emperor Was Divine is written in deceptively tranquil prose, a distillation of injustice, anger, and poetry; a notable debut. --Regina Marler

From Publishers Weekly
This heartbreaking, bracingly unsentimental debut describes in poetic detail the travails of a Japanese family living in an internment camp during World War II, raising the specter of wartime injustice in bone-chilling fashion. After a woman whose husband was arrested on suspicion of conspiracy sees notices posted around her neighborhood in Berkeley instructing Japanese residents to evacuate, she moves with her son and daughter to an internment camp, abruptly severing her ties with her community. The next three years are spent in filthy, cramped and impersonal lodgings as the family is shuttled from one camp to another. They return to Berkeley after the war to a home that has been ravaged by vandals; it takes time for them to adjust to life outside the camps and to come to terms with the hostility they face. When the children's father re-enters the book, he is more of a symbol than a character, reduced to a husk by interrogation and abuse. The novel never strays into melodrama-Otsuka describes the family's everyday life in Berkeley and the pitiful objects that define their world in the camp with admirable restraint and modesty. Events are viewed from numerous characters' points of view, and the different perspectives are defined by distinctive, lyrically simple observations. The novel's honesty and matter-of-fact tone in the face of inconceivable injustice are the source of its power. Anger only comes to the fore during the last segment, when the father is allowed to tell his story-but even here, Otsuka keeps rage neatly bound up, luminous beneath the dazzling surface of her novel.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
Otsuka researched historical sources and her own grandparents' experiences as background for this spare yet poignant first novel about the ordeal of a Japanese family sent to an internment camp during World War II. Its perspective shifts among different family members as the story unfolds. We see the mother numbly pack up the family's middle-class belongings to leave behind in their Berkeley home. The dehumanizing train trip to the camp, and the bleak internment in the alkaline Nevada desert, as related by the young son and daughter, become mythic events. Their father, picked up for questioning immediately after Pearl Harbor and imprisoned throughout the war, returns a broken and bitter man. The family's humiliation continues beyond the war's end: after returning to their vandalized home, they are shunned for months by former friends and neighbors. The novel's themes of freedom and banishment are especially important as we see civil liberties threatened during the current war on terrorism. Otsuka's clear, elegant prose makes these themes accessible to a range of reading levels from young adult on. Highly recommended for all libraries.
Reba Leiding, James Madison Univ. Libs., Harrisonburg, VA
Copyright 2002 Reed Business Information, Inc.

Most helpful customer reviews

0 of 0 people found the following review helpful.
this book will help us not ever repeat solutions like the internment of innocent Americans of any descent
By Ann Brown
There is no doubt that the internment camps are a stain on the history of the United States. I grew up during the war in Canada, where the Japanese were transferred inland, but not interred. They became a valuable part of our community, and our friends. They were hard working and kind and gentle, but never did I hear bitterness from them, although their losses were large.
I felt the suffering of the whole family in Julie Otsuka's book about the experience of her mother,and I was made more aware of the injustices they felt. The hardest to bear seemed to be the separation from their father. Hopefully, this book will help us not ever repeat solutions like the internment of innocent Americans of any descent.

0 of 0 people found the following review helpful.
Beautiful Sorrow
By Nikki
This was one of the most beautifully sorrowful books I've ever read. I can't even imagine what it was like for thousands of Japanese-Americans during WWII. Families who had made this their home, who were neighbors and friends, forced to leave their homes for years and never know if it would still be there when they came back. Or if they would even come back. No apologies, and things were lost that could never be given back. Vivid emotions of joy and sorrow dance across the pages of this book and an exquisite warning to not repeat the mistakes we've already made.

13 of 13 people found the following review helpful.
inventive and provocative, "Emperor" is spare and wrenching
By Bruce J. Wasser
Participants in the literature of oppression carry unique burdens and responsibilities. They are translators of broken dreams, betrayal, brutality. As writer and readers, they recreate and relive the crushing pain of dispossession, abandonment and exclusion. Their world is a distorted polarity of what ought to be in life. Members of this universe ask themselves the question of how people can endure historical pain: genuine hurt of the here and now whose roots are tangled in the soil of prejudice, repression and complicity.
To this body of literature may now be added Julie Otsuka's incandescent "When the Emperor Was Divine." This spare, elegant and wrenching debut novel is destined to become a classic in any serious examination of the impact of the forced removal and relocation of over 110,000 Japanese and Japanese-Americans during World War II. Otsuka's nameless protagonist family becomes representative, not only of the agonizing, degrading and damaging impact of racism but also of assault on racial identity. The family's coerced odyssey -- from forced removal to isolative segregation to bewildered return -- offers no happy ending, no comfort, no solace of redemptive suffering. The four members of this family, stripped of identity by a prejudice-saturated larger population, are victims and martyrs, made heroic by survival but not blessed or redeemed by enduring wrongful hardship, deprivation or ostracism.
Otsuka is so masterful at her craft tht practically each sentence, each phrase carries an explosive impact. Why the Japanese-Americans? Their "crime," Otsuka explains, is their being "too short, too dark, too ugly, too proud." Who are they? "I'm the one you call Jap ... Nip ... Slits ... Slopes ... Yellowbelly. .. Gook." Through the lens of Otsuka's analysis, the Japanese-Americans suffered the dual curse of invisibility and ubiquity. Their very insignificance led to their perceived danger; their complete assimilation proved their insidious disloyalty. From this cauldron of psychological terrorization can only come horrible results. Shame. Apology for being. Bewildered submission. Denial. Rejection.
By not permitting readers to know the names of the mother, father, son and daughter of her representative family, by enforcing a sense of anonymity, Otsuka creates a world of detached, impersonal horror, magnified by terribly real, painful, particular detail. The author's terse, precise and understated language intensifies imagery, metaphor and symbol. Even Otsuka's use of prepositional phrases shimmers. Topaz Relocation Camp is a city "of tar paper barracks behind a barbed wire fence on a dusty alkaline plain high up in the desert." Staccato one-sentence paragraphs hammer home the essence of this assualt on "time and space:" "No Japs allowed to travel..." or "No Japs out after eight p.m." In Otsuka's hands, the single-word epithet "Jap" embodies every indignity, slight and attack the Issei and Nisei faced.
Symbolism in "Emperor" is subtle, unobtrusive and compelling. The mother's willed euthanasia of a milkey-eyed, disregarded neighborhood dog foreshadows and intensifies her husband's abrupt disappearance and demise. Otsuka forces us to listen to the son's recitation of "My country, 'tis of thee" and the pledge of allegiance against the backdrop of incessant dust -- which creates its own unwelcomed bur irreversible scrim of shame. How could it ever be possible to come clean from this unbidden dirt, this grimy degradation? We are forced to witness the silent erosion of family coherence through obligatory meals in communal mess halls where Japanese customs are indelicately ignored. No painful detail escapes Otsuka's eyes, not even the distasteful practice of foods touching each other on dinner plates. Topaz is not only geographically sterile, but existentially barren. When asked what he had done one winter day, the boy responds, "Licked a stamp."
As necessary and brilliant as "When the Emperor Was Divine" is, it walks a dangerous line. Julie Otsuka's insistence on her family's anonymity risks that readers may not be able to identify and understand her protagonists' circumstances and pain. Namelessness risks distance, and distancing imperils connection. Yet because she takes that risk, her novel is even a greater triumph. "When the Emperor Was Divine" honors memory and invites reflection. It presents us with the greatest weapon available to fight oppression: an informed heart, one fashioned by exposure to wrong and an understanding of wrong's imapct.

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Friday, June 4, 2010

[H660.Ebook] Ebook Download Gerhard Richter: The Daily Practice of Painting - Writings and interviews 1962-1993, by Gerhard Richter

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Gerhard Richter: The Daily Practice of Painting - Writings and interviews 1962-1993, by Gerhard Richter

Born in Dresden in 1932, Gerhard Richter studied wall-painting at the socialist Dresdner Akademie, before settling in Dusseldorf in 1961. It was here that he began painting from photographic sources, a method which by his own admission allowed him to make a stand against the academies and the oppressive prototypes of the time, from which he had to free himself to find his own innovative creative style. Central to his work is a strong set of values and ideas which throughout his career he has expressed in notes and writings. In these texts he views his work and his surroundings, reflecting on the spiritual basis of his paintings, on his own role as artist, and on the nature of art itself. This book presents a selection of these writings, accompanied by illustrations of pictures from both private collections and from the studio.

  • Sales Rank: #2043795 in Books
  • Published on: 1995-11-20
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.06" h x 9.29" w x 6.50" l,
  • Binding: Paperback
  • 288 pages

Most helpful customer reviews

2 of 4 people found the following review helpful.
important questions regarding the practice of painting
By Leslie J. Roberts
Hard to explain why artists need this book without sounding pretentious. Richter questions not only the conventions of art, but his own decisions and intentions. Sometimes he contradicts his younger self. And he's fine with that. The book is at once unsettling and comforting. Anyway, one more book I don't lend out.
(On another level, it's a lively read as an autobiography of sorts: The insistently radical young artist gradually matures into the quietly subversive elder statesman.)

2 of 3 people found the following review helpful.
Essential for the Serious Painter
By CaliCo
An astoundingly philosophical book concerning painting. Richter's entries reveal a depth to his practice seldom articulated so profoundly by a visual artist. I think this book is an essential read to people seriously engaged in the practice of painting. Not a light read, but extremely thought provoking and engaging.

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Tuesday, June 1, 2010

[X142.Ebook] Ebook Free God, Modality, and Morality, by William E. Mann

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God, Modality, and Morality, by William E. Mann

Suppose that God exists: what difference would that make to the world? The answer depends on the nature of God and the nature of the world. In this book, William E. Mann argues in one new and sixteen previously published essays for a modern interpretation of a traditional conception of God as a simple, necessarily existing, personal being. Divine simplicity entails that God has no physical composition or temporal stages; that there is in God no distinction between essence and existence; that there is no partitioning of God's mental life into beliefs, desires, and intentions. God is thus a spiritual, eternal being, dependent on nothing else, whose essence is to exist and whose mode of existence is identical with omniscience, omnipotence, and perfectly goodness.

In metaphysical contrast, the world is a spatial matrix populated most conspicuously by finite physical objects whose careers proceed sequentially from past to present to future. Mann defends a view according to which the world was created out of nothing and is sustained in existence from moment to moment by God. The differences in metaphysical status between creator and creatures raise questions for which Mann suggests answers. How can God know contingent facts and necessary truths without depending on them? Why is it so easy to overlook God's presence? Why would self-sufficient God create anything? Wouldn't a perfect God create the best world possible? Can God be free? Can we be free if God's power is continuously necessary to sustain us in existence? If God does sustain us, is God an accomplice whenever we sin?

Mann responds to the Euthyphro dilemma by arguing for a kind of divine command metaethical theory, whose normative content lays emphasis on love. Given the metaphysical differences between us, how can there be loving relationships between God and creatures? Mann responds by examining the notions of piety and hope.

  • Sales Rank: #2884361 in Books
  • Published on: 2015-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.40" h x 1.40" w x 9.30" l, .0 pounds
  • Binding: Hardcover
  • 384 pages

Review

"These essays all raise very interesting issues in philosophical theology. It is fascinating to observe the role Mann assigns to divine simplicity in resolving so many of them. Anyone working in metaphysics and philosophical theology will certainly benefit from the painstaking attention Mann affords to simplicity and its surrounding issues." -- Notre Dame Philosophical Reviews Online


About the Author

William E. Mann received his Ph.D. in Philosophy from the University of Minnesota. Having previously taught at St. Olaf College and Illinois State University, he has been a professor in the University of Vermont's Department of Philosophy since 1974, retiring as Marsh Professor of Intellectual and Moral Philosophy in 2010. He has published extensively in the philosophy of religion-especially philosophical theology-and in medieval philosophy.

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