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Both a textbook for GIS classes in urban planning and a workbook for local governments, this book shows how to do real tasks that are required when a city decides to go digital and use geographic information systems (GIS) to store and access information. With this book, planners, analysts, and other local government staff use data from a real city to perform tasks such as creating buildings and parcels, setting coordinate systems, and building geodatabase topology. After creating a geodatabase, working with attribute data, and geocoding data, planners will be able to perform spatial analysis to find possible drug houses near playgrounds, find buildable vacant lots, produce land use reports, and more.

• Sales Rank: #3408056 in Books
• Brand: Brand: Esri Press
• Published on: 2004-04-01
• Released on: 2004-04-01
• Original language: English
• Number of items: 1
• Dimensions: 9.04" h x .84" w x 7.48" l, 1.00 pounds
• Binding: Paperback
• 300 pages

Features

• Used Book in Good Condition

About the Author
William E. Huxhold is Chairman and Associate Professor in the Department of Urban Planning at the University of Wisconsin - Milwaukee. From 1975 to 1990 he was Management Information System project manager for the city of Milwaukee, where he implemented one of the first urban geographic systems in
North America. He received a M.S. in Engineering Management from the University of Dayton in 1973. Mr. Huxhold also wrote An Introduction to Urban Geographic Systems, published by Oxford University Press in 1973. Allan G. Levinsohn is an information technology consultant with more than 15 years of
experience managing geographic information. He is an Associate of the Banff Centre for Management, and an advisor to government agencies and companies across Canada. He has also worked in Kenya, China, Japan, Holland, and the U.S. His clients include regional and national government agencies,
municpalities, and resource, utility, engineering, and technology companies. Mr. Levinsohn is well-known for his innovative approaches to GIS planning and design.

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10 of 12 people found the following review helpful.
Good Book but Buyer Beware
By Sam Hall
When purchasing this book I was not informed that the required program to run the exercises found in the book is ArcInfo 9.0. Understand that ArcInfo encompasses all of the core ArcGIS functions. I bought this book having the ArcView version of ArcGIS and was unable to complete about 70% of the book. I looked in to upgrading to ArcInfo and found that the price to upgrade is approx $6000. So if you want this book you really must have the ArcInfo version of ArcGIS or you will not be able to follow through with the book.

0 of 1 people found the following review helpful.
Warning...Requires ArcINFO
By Edwards
I was greatly disappointed to find that I was unable to do many of the exercises in the book because I don't have an ArcInfo license.

I don't know how many beginners there are out there with ArcInfo, this may be a great book for you folks, but the rest of us (lowly ArcView users) are left hanging...

I did find on the back of the book that it does require ArcInfo, but there is nothing on the Amazon page telling you that.

0 of 1 people found the following review helpful.
Digital City an A++
By GISCowboy
This book has been very helpful. It was chosen as an assigned text to compliment several of the assignments in my applications class. It has proven to be very useful.

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• Published on: 1936
• Binding: Hardcover

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• Sales Rank: #8145200 in Books
• Published on: 2008-10-01
• Binding: Hardcover

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Star Begotten is a 1937 novel by H. G. Wells. It tells the story of a series of men who conjecture upon the possibility of the human race being altered by Martians to replace their own dying planet. The protagonist of the story Joseph Davis, who is an author of popular histories, becomes overtaken with suspicion that he and his family have already been exposed and are starting to change.

• Sales Rank: #1209824 in eBooks
• Published on: 2010-07-01
• Released on: 2010-07-01
• Format: Kindle eBook

Review
“Mr. Wells is the most persuasive of living writers… He knows that we sigh for a sane world of unlimited possibilities. He catches us on the full wave of our wish… Star Begotten is the most mature of his fantasies.” —V.S. Pritchett, The New Statesman and Nation

Review
“A definitive scholarly edition of this notable novel. Huntington eloquently and subtly demonstrates its complexity and ambiguity. Star Begotten should receive a warm welcome.” (Patrick Parrinder, professor of English at University of Reading)

About the Author
H.G. WELLS (1866–1946) pioneered the “scientific romance” in such novels as The War of the Worlds, The Time Machine, and The Invisible Man. JOHN HUNTINGTON is professor of English at the University of Illinois at Chicago, and the author of books including The Logic of Fantasy: H.G. Wells and Science Fiction.

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1 of 1 people found the following review helpful.
Why isn't this a cult classic?
By Nash Android
This short novel was first published in 1937, and seventy-five years later, I finally got around to reading it. It took me a while because I had to wait around for things like my parents to reach puberty, me being born, learning to read, and then realizing this book existed. I find this last thing surprising because, after reading it, I am amazed it does not have a cult following. There should be T-shirts and buttons for people who wish to identify themselves as Star-Begotten or Star-Born. Once you read it, you'll know what I mean.

The story centers on Joseph Davis, a popular writer of romanticized histories, who comes to believe that some people differ fundamentally from most of us. They are more rational, possibly more talented and intelligent. Who are these people? Why are they different?

After what amount to BS sessions with his friends and associates, Davis entertains the hypothesis that genetic mutations caused by cosmic rays are responsible for this new step in human evolution. One of his compatriots suggests that since the mutations appear neither random nor harmful, they must be intentional. Martians (as a euphemism for aliens) are tagged as likely agents. There is an interesting contrast presented here in which people of today (well, people of 75 years ago) jump to unscientific, irrational speculation to explain how people are becoming more rational. Wells is indulging in a bit of dry, tongue-in-cheek humor with this, I suspect.

But the cause of the mutations is not the central point, it's simply a dryly humorous plot device. The thought provoking question behind it is, `Is humanity really becoming more intelligent and more rational?' And the other question is, `Should it?'

This is not your average kind of novel. In some ways, it's a philosophical treatise on politics and humanity like Plato's Republic or Ayn Rand's Atlas Shrugged, except, unlike the latter, Star Begotten is enjoyable, optimistic, and well-written. It's one of those books that can make you think, if you let it. It can give you ideas. And this may be why it never rose to cult classic status. Ideas can be uncomfortable things. This is what Wells himself says about them:

`A notion is something you can handle. But an idea, a general idea, has a way of getting all over you and subjugating you, and no free spirit submits to that. Confronted with an idea the American says: 'Oh, yeah!' or 'Sez you,' and the Englishman says: 'I don't fink,' or at a higher social level: 'Piffle--piffle before the wind.' These simple expressions are as good against ideas as the sign of the cross used to be against the medieval devil. The pressure is at once relieved.' (Another case of Wells' dry humor.)

There are about ten other sections, mostly assessments about the current state of mankind, that I marked because I thought they deserved to be shared. But this would make for a very long book review, or whatever this is, so I'll refrain from doing that. I will, however, share this summation of how Wells says you can recognize these star-begotten people:

`one characteristic of this new type of mind is its resistance to crowd suggestions, crowd loyalties, instinctive mass prejudices, and mere phrases, ... these strongminded individualists ... doing sensible things and refusing to do cruel, monstrous, and foolish things...'

Is humanity progressing? Is it overcoming its infancy? Is it becoming rational? I don't know but I would like to believe so. I've met sane, intelligent people and I suspect there are a lot of them. If you think you may be one, Wells provides this cautionary statement in the voice of one of the book's more cynical characters:

`There are bad times ahead for uncompliant sane men. They will be hated by the right and by the left with an equal intensity.'

I found this short novel refreshingly different from popular contemporary `action-packed' and largely idea-barren novels. It is a thought provoking social commentary about ideas, the evolution of ideas, and human potential. The charming characters, bits of dry humor, and the hopeful, optimistic outlook also appealed to me. I highly recommend it for those seeking something other than mindless entertainment.

5 of 7 people found the following review helpful.
A key pick for any Wells fan
By Midwest Book Review
STAR BEGOTTEN was first published in 1937 and is a short novel - second of a series by Wells - which covers discoveries in genetic mutations. A simple event turns into a hysterical social reaction in this story of the possible return of Martians from War of the Worlds, and their impact on the nature of humanity itself. A key pick for any Wells fan.

Diane C. Donovan

California Bookwatch

0 of 0 people found the following review helpful.
An Irate And Despairing Wells Comes Up With A Plea For Sanity
By s.ferber
Released 39 years after his seminal sci-fi novel "The War of the Worlds" was published in 1898, and just two years before Orson Welles scared the bejeebers out of U.S. listeners with his radio play of that same novel, 1937's "Star-Begotten" finds its author, H.G. Wells, returning to the Red Planet to tell us more about those mysterious and pesky Martians. Written when Wells was 71, this latter work--rather than being a tale of action and mayhem and a truly groundbreaking instance of the then-still-new science fiction (or, to use the term that Wells preferred, "scientific romances")--is more a novel of ideas and speculation, of satire and bitter condemnation, and, I have a feeling, is a largely unknown work today. And that is a shame, as it is obviously a deeply felt work; an appeal to reason in a world slipping inexorably toward another world war.

In this short novel (it is roughly the same length as such early Wells classics as "The Time Machine," "The Island of Dr. Moreau" and "The Invisible Man"), we meet a youngish author named Joseph Davis. A writer of popular histories that uphold the glory and promise of humankind, and a man who has long since swept his own religious doubts under the mental rug, Davis, when we first encounter him, is a troubled soul. His wife has increasingly become a stranger, the imminent birth of his first child has left him in a panicked state, and his rosy-tinted histories have lately begun to strike him as so much bosh. And then he overhears a conversation at his Planetarium Club, in which several of the learned members discuss the possibility of mankind's increasing intelligence being the result of the cosmic rays that are constantly bombarding us. Could this be deliberate? Could, say, those Martians be firing rays at us to change mankind, to make us better and brighter, to possibly...Martianize us?!?! That is what Davis and two of his cronies, obstetrician Holdman Stedding and philosophy professor Ernest Keppel, endeavor to riddle out, in this thoroughly engaging and passionate piece of work.

This is a book in which Wells, a former Socialist and member of the Fabian Society, as well as the creator of any number of utopian scenarios himself (in novels such as "In the Days of the Comet," "Men Like Gods" and "The Shape of Things to Come"), subjects to scalding satire the Socialists and the creators of utopian literature, as well as the British government, the average intelligence of the common people, journalists, world dictators, modern religion and society in general. Though written 75 years ago, the critiques in the book are as relevant today, sadly enough, as ever. Take this passage, for example, as our three lead characters sit and discuss the situation. Says Keppel: "Our social order is bankrupt. It is not delivering the goods. It is defaulting and breaking up. War, pervading and increasing brutality, lack of any real liberty, economic mismanagement, frightful insufficiency in the midst of possible super-abundance--am I overstating the indictment?" This could almost have been written today, right? Though there is little to no action in "Star-Begotten" per se, the entire novel is filled with wonderfully well-written passages such as this one; you'll feel like using a highlighter to underscore many of the choicer comments, as mankind's lot is appraised and discussed by these three astute gentlemen. And as befits its satiric side, the novel also contains some one-liners guaranteed to make the reader chuckle, such as when Wells describes the music of 1937 as "raucous bang, bang, bump stuff" (which leads one to wonder how he'd feel about the heavy metal and hip-hop music of today!). Undoubtedly, though, the book's most amusing moment comes when one of the Planetarium Club members declares, "Some of you may have read a book called 'The War of the Worlds'--I forget who wrote it--Jules Verne, Conan Doyle, one of those fellows." A rare instance of genuine humor in an otherwise quite serious novel; a novel in which the author, aghast at the state of a world teetering on the brink, tries to paint a picture of what COULD be, if only Man cared a little less for material gain. Of course, it was a lesson that was largely unavailing, so much so that in his introduction to the 1941 edition of his 1908 classic "The War in the Air," Wells famously wrote "I told you so. You damn fools." Fortunately, however, it's never too late to learn, and that is why "Star-Begotten" should be placed on the "must read" list of all thinking adults. It is an intelligent book that uses a sci-fi backdrop as a means of making dozens upon dozens of vitally important points. It may not feature the zap guns of the 1898 novel, but surely does strike home nevertheless! Concluding with a surprise ending of sorts and a note of tentative optimism, it is a Wells novel that is surely ripe for modern-day reappraisal.

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[K114.Ebook] PDF Download Cosmic Science of the Ancient Masters, by Hilton Hotema

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If a person pass on shall he/she live again and is reincarnation a fact? This book includes: The sublime truths of the Universe; The Mysteries of Nature, of Man; the Grand cycle of Creation; Conscious and subconscious Mind; Intuition: Immortality; dormant Organs; The Mysterious chambers in the Skull.

• Sales Rank: #3024847 in Books
• Published on: 1960-06
• Original language: English
• Binding: Paperback
• 44 pages

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4 of 4 people found the following review helpful.
A taste of esotericism
By Dragan
July 2014: Since writing many book reviews of the past, much has changed, I have discovered much more. I have come to see and have had exposed many of the deceptions and errors associated with Gnosticism, this even after becoming a Gnostic priest. My faith in Christ has been my anchor and I press on with him who shed his blood for me. I am tempted to delete many of my reviews, as I have already done; time will tell.

Actually, I'm more inclined to give this book a rating a little below 4 stars. This book has 97 pages, copyright 1969. What you get from this book will depend on where you are at, spiritually speaking. I personally did not get a hell of a lot out of this book and got a shock when I remembered how much I payed. It does however have some gems of esoteric wisdom and perhaps these gems might pay dividends at some future time.

The book goes into some detail as to how the bible has been misinterpreted and that it should be read for its greater spiritual esoteric truths. There are a good amount of esoteric truths that have been crossed linked with bible verses. While on the aspect of Christianity, the author goes to some length as to how truth has been distorted to blind the masses.

There are lots of topics covered in this book, too jumbled for my liking though. I liked the pictures but would have liked the pictures to be more in sink with what was written. Most of the images don't even come with explanations, it's as though they are inserted to try and give the book more authenticity.

What did I get out of reading this book? I recall insights into the thymus gland and its link to ageing. The effects of pollution on the sinuses, and the link of the sinuses to the spiritual work. It also alludes to secret esoteric truths of an alchemic nature. I'm not sure if I agree with all of the author's views on the afterlife, but it was for me, very positive nonetheless.

On the whole I did not mind reading this book, especially as I read it in a very short span of time. On the other hand, if I had the money to spend again, I might choose differently.

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[F205.Ebook] Free PDF Privacy and Publicity: Modern Architecture as Mass Media, by Beatriz Colomina

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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity.Privacy and Publicity boldly questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.With modernity, the site of architectural production literally moved from the street into photographs, films, publications, and exhibitions -- a displacement that presupposes a new sense of space, one defined by images rather than walls. This age of publicity corresponds to a transformation in the status of the private, Colomina argues; modernity is actually the publicity of the private. Modern architecture renegotiates the traditional relationship between public and private in a way that profoundly alters the experience of space. In a fascinating intellectual journey, Colomina tracks this shift through the modern incarnations of the archive, the city, fashion, war, sexuality, advertising, the window, and the museum, finally concentrating on the domestic interior that constructs the modern subject it appears merely to house.

• Sales Rank: #407654 in Books
• Published on: 1996-02-28
• Original language: English
• Number of items: 1
• Dimensions: 10.40" h x 1.00" w x 6.40" l, 1.52 pounds
• Binding: Paperback
• 408 pages

Review

With her investigation of the apparent contradiction between the realms of intimate life at home and public communication, Beatriz Colomina shapes a fresh interpretation of the design strategies of Loos and Le Corbusier. Photography appears here not only as an instrument of mere documentation, but as a potent tool used in the first third of the century by these revolutionary architects in shaping the reading of new domestic space. Colomina skillfully unveils the opening scene of an architectural epic based on public seduction strategies and private spatial intrigues.

(Jean-Louis Cohen, Professor, Ecole d'Architecture Paris-Villemin Institute of Fine Arts)

This book starts out from rigorous research into archival documents that are apparently secondary but, as in a good detective story, the details lead into larger and more complex questions. As the book progresses, the entire structure that organizes the diffusion of the commonplace of modern architecture is gradually unfolded until we are presented with a reading that is both critical and highly innovative. Beatriz Colomina's text moves from painstaking historiography and devastating insights to propose a critical scrutiny of the history of the architecture of this century that is at once detached and impassioned.

(Ignasi de Solà-Morales, Professor of Architecture, Barcelona School of Architecture)

A beautifully and elegantly written book, of rare subtlety and insight which not only explores the work of two of the most renown architects of the twentieth century but places them within a cultural, political, and intellectual framework where their work can be assessed differently, with fresh questions and new provocations. To think architecture as hovering between the question of space and the question of representation -- to think architecture in its rich and multiple forms of materiality-- is one of the crucial incitements of this book. Strongly recommended for anyone who wants to rethink and positively question common assumptions about modernist architecture.

(Elizabeth Grosz, Director, Institute of Critical and Cultural Studies, Monash University, Victoria, Australia)

Beatriz Colomina offers and innovative way of looking at architectural history and theory. She perceptively recognizes the interaction between the image of the city and the culture of images.

Her book shows that modern architecture can only be understood when read in conjuction with photography, film, publicity, fashion, and other forms of visual display. Looking at architecture through the lens of the mass media, Colomina entrusts architecture criticism with a wonderfully mobile, cinematic outlook. She inventively turns the tools of film theory, theroies of gaze and spectatorship, towards an understanding of architectural space. Colomina's book radically rethinks arhitecture as media.

In doing so, the author gives space to gender issues. Colomina's sharp readings are particualry attentive to the relation between sexuality and space. This important book knows that theorizing architecture involves addressing the housing of gender. It is a pleasure to read such a book.

(Giuliana Bruno, Department of Visual and Enviornmental Studies, Harvard University)

In her multifaceted, highly logocentric, often profoundly insightful book Beatriz Colomina demonstrates that 'publicity', 'reproduction', and the 'archive' are no mere erudite metaphors, but the actual stuff from and around which modern architecture and its discourse are made. As with the subject matter of modern art, the peripheral turns out to be the central.

(Stanislaus von Moos, Professor, Universität Zürich)

From the Back Cover
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media. Architecture is more than buildings that we can experience firsthand, it also exists as a representation through drawings, photographs, writings, films, or advertising. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture - the mass media - as the true site within which modern architecture was produced.

About the Author
Beatriz Colomina is Professor of Architecture and Founding Director of the Program in Media and Modernity at Princeton University. She is the editor of Sexuality and Space, which was awarded the International Book Award by the American Institute of Architects. She is the coeditor of Cold War Hot Houses: Inventing Postwar Culture from Cockpit to Playboy. Her most recent book is Doble exposición: Arquitectura a través del arte.

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9 of 9 people found the following review helpful.
Every designer should read this
By Angel M. Steger
The best way, somtimes, to talk about a larger condition is to delve into specifics. Colomina uses Loos and Corbusier to draw out comparisons about the use of information.

Considering the amount of architectural monographs being churned out on a daily basis, and the creation of terms such as "information architecture," it's extremely valuable to look at how modern architecture might have started from an alliance between types of publicity and design.

Both Loos and Corbusier come out, biography-wise, as extremely creepy, though shrewd in shaping how their work is percieved by the traces that they leave behind. In Corbusier's case, he leaves an archive stuffed with minutia, an overabundance of information to supplement the built work. Loos, on the other hand, leaves very little, and thus what little remains of his work requires imagination to fill gaps in his story. What a designer can gather from this is to ask the question: how does what we do effect what our work is? Colomina's work functions reflexively as well as she works from "evidence" to create representations of both architects.

It is a compelling argument, passionately written, and not the least boring.

0 of 0 people found the following review helpful.
architecture = mass media
By wo
this book makes an audacious, much needed intervention into architectural history and theory: architecture is just one of many mass media that proliferated in the modern period. i find myself with this book and colomina's other writings wishing she would turn to actual rather than elite architectural mass media to prove her point, yet, other than beatriz preciado's 2011/2014 "pornotopia," this challege has yet to be undertaken.

0 of 1 people found the following review helpful.
book ok , less the quality
By Christophe Catsaros
The book seems to be a rough photocopied version of the original.

Are you sure it's not a bootlegged copy?

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[B448.Ebook] Ebook 101 Design Methods: A Structured Approach for Driving Innovation in Your Organization, by Vijay Kumar

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The first step-by-step guidebook for successful innovation planning

Unlike other books on the subject, 101 Design Methods approaches the practice of creating new products, services, and customer experiences as a science, rather than an art, providing a practical set of collaborative tools and methods for planning and defining successful new offerings. Strategists, managers, designers, and researchers who undertake the challenge of innovation, despite a lack of established procedures and a high risk of failure, will find this an invaluable resource. Novices can learn from it; managers can plan with it; and practitioners of innovation can improve the quality of their work by referring to it.

• Sales Rank: #35960 in Books
• Published on: 2012-10-09
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .64" w x 7.50" l, 1.45 pounds
• Binding: Paperback
• 336 pages

Amazon.com Review
Amazon Exclusive: Author Vijay Kumar on The Five Basic Insights That Drive Innovation in Organizations

Today we are flooded with the term “innovation” everywhere -- in magazines, journals, conferences, books, blogs, boardrooms, and news. Yes, with this level of attention being paid to “innovation”, it feels like “innovation has arrived!” It has made a splash in the world, especially in the world of business! But, what does this really mean to an organization? How does this energy and enthusiasm impact a person’s daily activities at work?

Innovation wins customers, creates competitive advantage, and increases profit for organizations. But it’s also a notoriously risky venture to enter into, resulting in extremely low success rates and reluctance on the part of investors and decision-makers to support it. Does innovation have to be so risky and unpredictable?

I’m attacking these issues head on by articulating a vision of a reliable, repeatable, and structured approach for driving innovation in organizations.

This vision is shaped by five basic insights about innovation.

1. Innovation is a discipline, not a mystery.

Practicing innovation is not a mystery, contrary to what most people believe. Innovation is a discipline. It can be planned, practiced, improved, and excelled at. It can be formalized as a disciplined process. We can approach the practice of innovation (creating new products, services, and customer experiences) like a science, with a set of practical and rigorous methods, tools, and frameworks.

2. Innovation process needs clear modes, mindsets, and methods.

Modes provide innovators the focus necessary to deal with complex innovation challenges. Mindsets provide them with clear ways of thinking to fully understand challenges and appropriately conceive responses. Methods facilitate step-by-step actions to reach desired outcomes and end goals. This way of framing structured innovation is particularly valuable for innovators to effectively work together as teams.

3. Four primary forces shape innovations.

The primary forces that shape successful innovations are business, technology, design, and society. Business force relates to the question of what is viable in the market -- where are the market gaps and how to fill them. Technology force looks for what is possible with new emerging technologies and how to create new offerings. Design force asks the question of what is desirable for people and how to create humanized solutions. Society force is focused on what is sustainable for the community and the environment. Integrating these forces produce innovations that deliver higher user and economic value.

4. Innovations need collaboration and teamwork.

Innovations use structured and disciplined processes in which all stakeholders participate. For example, engineers, technologists, business analysts, strategists, researchers, designers, social scientists, community members, and even end-users participate in the process. Collaborative thinking at many levels of the organization is needed to conceive reliable solutions.

5. The same generic process benefits many diverse projects.

A generalized innovation process -- comprehensively conceived for observing, reframing, ideating, prototyping, and planning -- can be used to develop a wide variety of concepts like products, services, experiences, messages, channels, business models, or strategies. It can also support the needs of various types of organizations -- corporate businesses, social organizations, governments, entrepreneurs, or networked organizations.

Review
"Design thinking is a method that can be applied to nearly any endeavor, business scenario, or social reform. In his book, 101 Design Methods, author Vijay Kumar describes how design methods can be applied as a science, rather than through art, through practical steps of observation, reframing, ideation, prototyping, and planning." (Contract Magazine, May 2013)

From the Back Cover

A step-by-step guidebook on deploying design thinking for innovation

Design thinking is a mindset and method that can be applied to nearly any innovation challenge or endeavor. Using structured methods for observation, reframing, ideation, prototyping, and planning, design thinking can be used to develop innovative solutions in a wide range of business scenarios and social reform.

101 Design Methods is the first step-by-step guidebook for successful innovation through design thinking. Unlike other popular titles, 101 Design Methods approaches the practice of creating new products, services, and customer experiences as a science, rather than an art, providing a practical set of collaborative tools and methods for planning and defining successful new offerings. Exploring the "mindset" and "methods" for each, the modes of thinking covered include:

• SENSE INTENT
• KNOW CONTEXT
• KNOW PEOPLE
• FRAME INSIGHTS
• EXPLORE CONCEPTS
• FRAME SOLUTIONS
• REALIZE OFFERINGS

Strategists, managers, designers, and researchers who undertake the challenge of innovation, despite a lack of established procedures and a high risk of failure, will find 101 Design Methods an invaluable resource. Novices can learn from it; practitioners can structure their work; managers can plan with it; and executives can make decisions based on it.

Most helpful customer reviews

72 of 77 people found the following review helpful.
Mostly a pitch for consulting services, but some useful information
By Jackal
This is a book I wanted to like, but it is so superficially written that I can only give it two stars. On a generous day, I might have given it three stars, but not any more.

101 design methods turns out to be 101 tools for the innovation process (from initial stage all the way through to commercialization). The whole process is covered but it is fair to say that the focus in around the prototype stage. If you have read a book about design consultancy IDEO you know pretty much the type of work described in this book (anthropological methods, Post-it notes, etc.)

Each method gets two pages, which are identically structured:
* 10% description of method. Unfortunately this section is far too short. Sadly the author provides absolutely no references. Instead he takes credit as if these methods were novel. You might think that in a book for practitioners, references are not so important. Fair response, but at the very least there should have been some references for further readings.
* 35% picture. This is generally an illustrative picture. Good.
* 20% case study. It is nice with case studies even though they are written up in a too sanitized way. In fact, the section is often a repetition of the description of the method. The most typical case study is a not-for-profit service.
* 25% practical steps. The steps are always almost identical: identity, analyze, report. This section is extremely tedious and repetitive. Totally useless material.
* 10% filler material. Also not useful.

I seriously question the author's judgement when describing the methods in this manner. Personally, I don't like the very mechanical approach of presenting the tools. Still, there will definitely be some methods that you would like to look further into. For this reason the book could have been a three star book, if the author would have given the reader some advice for further readings. If the case studies would have been more illustrative the book would probably be worth four stars.

The book is printed in full color on pretty good paper. The layout of the book feels modern and professional.

4 of 4 people found the following review helpful.
innovation for wannabe innovators who have no clue or even any capability for innovation - much like trying to teach pigs how to
By Manuel S. Martinez
I am on my third try to read this book and once more i am giving up and this time completely. I find the ideas presented by the author so disagreeable and precisely counter to innovation. This is a book on innovation by committee, innovation for wannabe innovators who have no clue or even any capability for innovation - much like trying to teach pigs how to fly. You would have better luck trying to teach ostriches how to fly - at least they have some semblance of wings. Its a good thing this notion of innovation was not around when the rocket was invented, the air plane, lockheed skunk works, the steam engine, the computer, even the web, html, and arpanet/internet. All of them most likely would have died a quiet unknown death through suffocation by committee. You want to have innovation in your organization ? Then let lose the dreamers, leave them alone , and keep the fuddie-duddies away from them.

23 of 25 people found the following review helpful.
Innovation brought alive
By J. Aceti
As a consultant helping teams through innovation processes I found this book to be a wonderful compendium of frameworks and techniques to help focus ideas and processes. For a consultant or trainer in business or technology innovation this book provides a ready resource of methods that can be used to help uncover, unclutter or focus thinking. For teams on their own the book can be a ready resource to guide the innovation process; what to do next in innovating new products or services. The book proposes a seven step framework that helps you walk through the innovation modes: Sense intent, Know Context, Know People, Frame Insights, Explore concepts, Frame Solutions and Realize offerings. It goes into great depth for each mode providing method and technique that will help inspire new ways of thinking about how to approach an innovation challenge.

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101 Design Methods: A Structured Approach for Driving Innovation in Your Organization, by Vijay Kumar PDF
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With the SAS programming language, you can access data in any kind of file and process it in any way you can imagine. It provides the data processing power behind everything from data warehouses to scientific studies -- and it is so easy to use that anyone who can use a computer can become a programmer. In Professional SAS Programming Logic, leading expert Rick Aster describes the unique qualities of the SAS language and takes you beyond the tried and true to show the unlimited possibilities of SAS programming.

• Sales Rank: #3569537 in Books
• Published on: 2000-11
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 6.00" w x 1.50" l,
• Binding: Paperback
• 576 pages

About the Author
Rick Aster is a SAS programmer whose dedication and hard work have changed the way the world works with data. In his own work, Aster has applied his SAS programming skills to public finance, drug safety, corporate mergers, insurance, inventory control, biotechnology, and human resources, among many other subject areas. Projects he has worked on include customer data warehouses for some of the world’s largest banks and an econometric model to pinpoint the local impacts of global economic changes. In his consulting, teaching, and writing, Aster has always stood for bringing the information power of SAS programming to everyone. His disciplined, creative approach, numerous innovations, and outspoken advocacy have helped to bring SAS programming the recognition it deserves — and have brought Aster recognition as the leading expert in the SAS programming field. Aster lives in a farmhouse in Valley Forge, Pennsylvania. He is a musician, distance runner, philosopher, and sports photographer.

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21 of 22 people found the following review helpful.
Useful, but not for novices
By Scott Bilder
This book is up-to-date, nicely organized, and full of useful information. It is intended to be of value to readers who have some general programming experience and is, by extension, ideal for those who already have some knowledge of SAS programming. My only complaint, and it is not an insignificant one, is that the writing is often unclear. I find too many passages that I understand only because I know quite a bit about SAS already. I fear that other readers with less experience will end up puzzled or misinformed. This is a good SAS book, but it is not a good "first" SAS book.

2 of 2 people found the following review helpful.
Not bad, but definitely not good either
By Confounder
The book is useful if you are not new to SAS, however there are definitely better written books available. Comparing a code (given as example) and its output are often hard to follow as the text says nothing about the data file structure. The spelling errors (admittedly few) are very annoying. One doesn't expect them in professionally written text.

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• Published on: 1600
• Binding: Paperback

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